The drum is a known member of the percussion group of musical musical instruments. Inside the Hornbostel-Sachs classification system, it is a membranophone.[1] Drums consist of at least one membrane, called a drumhead or drum skin, that is extended on the shell and struck, either immediately with the player's hands, or with a drum stay, to produce audio. There is usually a resonance at once the underside of the drum, typically tuned to a somewhat lower pitch than the top drumhead. Other techniques have been used to cause drums to make sound, including the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained nearly unchanged for thousands of years.[1]Drums may independently be performed, with the ball player using a solo drum, and some drums such as the djembe are almost always played in this way. Others are played in a set of several normally, all played by the one player, such as bongo drums and timpani. A variety of drums together with cymbals form the basic modern drum kit.
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Drums are usually played by striking with the hand, or with one or two sticks. In lots of traditional ethnicities, drums have a symbolic function and are used in religious ceremonies. Drums are being used in music therapy often, especially hand drums, because of their tactile character and easy use by a wide variety of people.[2]In popular music and jazz, "drums" usually refers to a drum set or a set of drums (with some cymbals), and "drummer" to the individual who takes on them.Drums received divine position in places such as Burundi even, where the karyenda was a symbol of the energy of the king.Construction[edit]Drum taken by John Unger, Company B, 40th Regiment New York Veteran Volunteer Infantry Mozart Regiment, 20 december, 1863The shell almost has a circular beginning over that your drumhead is stretched invariably, but the shape of the remainder of the shell can vary widely. Inside the western musical traditions, the most common shape is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other forms include a shape design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet formed (djembe), and became a member of truncated cones (discussing drum).Drums with cylindrical shells can be open at one end (as is the case with timbales), or can have two drum minds. Single-headed drums typically contain a epidermis stretched over a specific space, or higher one of the ends of any hollow vessel. Drums with two minds covering both ends of the cylindrical shell often have a small opening somewhat halfway between your two heads; the shell varieties a resonating chamber for the causing sound. Exceptions are the African slit drum, also known as a log drum as it is made from a hollowed-out tree trunk, and the Caribbean metal drum, made from a steel barrel. Drums with two minds can have a set of wire connections also, called snares, organised across the lower part head, top mind, or both heads, the name snare drum hence.[1]
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On modern band and orchestral drums, the drumhead is located over the beginning of the drum, which is organised onto the shell with a "counterhoop" (or "rim"), which is then placed through lots of tuning screws called "tension rods" that screw into lugs put evenly throughout the circumference. The head's tension can be changed by loosening or tensing the rods. Many such drums have six to ten pressure rods. The sound of an drum depends on many variables--including shape, shell thickness and size, shell materials, counterhoop materials, drumhead materials, drumhead tension, drum position, location, and attractive angle and speed.[1]
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Before the invention of tension rods, drum skins were fastened and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. These methods are seldom used today, though look on regimental marching strap snare drums sometimes.[1] The head of any talking drum, for example, can be temporarily tightened by squeezing the ropes that hook up the bottom and top heads. Similarly, the tabla is tuned by hammering a disc held set up around the drum by ropes stretching from the top to bottom head. Orchestral timpani can be tuned to precise pitches by using a foot pedal quickly.Sound of your drum[edit]Several American Indian-style drums for sale at the Country wide Museum of the American Indian.Several factors determine the sound a drum produces, including the type, construction and condition of the drum shell, the type of drum heads it has, and the tension of the drumheads. Different drum sounds have different uses in music. Take, for example, the modern Tom-tom drum. A jazz drummer might want drums that are high pitched, resonant and noiseless whereas a rock drummer might choose drums that are loud, low-pitched and dry. Since these drummers want different sounds, their drums are constructed a little differently.The drum brain has the most effect on how a drum tones. Each kind of drum brain serves its own musical purpose and has its own unique audio. Double-ply drumheads dampen high frequency harmonics because they are heavier and they are suitable for heavy playing.[3] Drum mind with a white, textured covering about them muffle the overtones of the drum brain slightly, producing a less diverse pitch. Drum mind with central silver precious metal or black dots tend to muffle the overtones even more. And drum minds with perimeter audio rings mainly eliminate overtones (Howie 2005). Some jazz drummers stay away from thick drum heads, preferring solo ply drum minds or drum mind with no muffling
to make a steel drum plus some other fascinating steel drum factoids
The next biggest factor that influences drum sound is head stress from the shell. When the hoop is located around the drum head and shell and tightened down with tension rods, the strain of the head can be adjusted. When the tension is increased, the amplitude of the audio is reduced and the frequency is increased, making the pitch higher and the volume lower.
The drum is a known member of the percussion group of musical musical instruments. Inside the Hornbostel-Sachs classification system, it is a membranophone.[1] Drums consist of at least one membrane, called a drumhead or drum skin, that is extended on the shell and struck, either immediately with the player's hands, or with a drum stay, to produce audio. There is usually a resonance at once the underside of the drum, typically tuned to a somewhat lower pitch than the top drumhead. Other techniques have been used to cause drums to make sound, including the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained nearly unchanged for thousands of years.[1]Drums may independently be performed, with the ball player using a solo drum, and some drums such as the djembe are almost always played in this way. Others are played in a set of several normally, all played by the one player, such as bongo drums and timpani. A variety of drums together with cymbals form the basic modern drum kit.
Drums are usually played by striking with the hand, or with one or two sticks. In lots of traditional ethnicities, drums have a symbolic function and are used in religious ceremonies. Drums are being used in music therapy often, especially hand drums, because of their tactile character and easy use by a wide variety of people.[2]In popular music and jazz, "drums" usually refers to a drum set or a set of drums (with some cymbals), and "drummer" to the individual who takes on them.Drums received divine position in places such as Burundi even, where the karyenda was a symbol of the energy of the king.Construction[edit]Drum taken by John Unger, Company B, 40th Regiment New York Veteran Volunteer Infantry Mozart Regiment, 20 december, 1863The shell almost has a circular beginning over that your drumhead is stretched invariably, but the shape of the remainder of the shell can vary widely. Inside the western musical traditions, the most common shape is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other forms include a shape design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet formed (djembe), and became a member of truncated cones (discussing drum).Drums with cylindrical shells can be open at one end (as is the case with timbales), or can have two drum minds. Single-headed drums typically contain a epidermis stretched over a specific space, or higher one of the ends of any hollow vessel. Drums with two minds covering both ends of the cylindrical shell often have a small opening somewhat halfway between your two heads; the shell varieties a resonating chamber for the causing sound. Exceptions are the African slit drum, also known as a log drum as it is made from a hollowed-out tree trunk, and the Caribbean metal drum, made from a steel barrel. Drums with two minds can have a set of wire connections also, called snares, organised across the lower part head, top mind, or both heads, the name snare drum hence.[1]
On modern band and orchestral drums, the drumhead is located over the beginning of the drum, which is organised onto the shell with a "counterhoop" (or "rim"), which is then placed through lots of tuning screws called "tension rods" that screw into lugs put evenly throughout the circumference. The head's tension can be changed by loosening or tensing the rods. Many such drums have six to ten pressure rods. The sound of an drum depends on many variables--including shape, shell thickness and size, shell materials, counterhoop materials, drumhead materials, drumhead tension, drum position, location, and attractive angle and speed.[1]
Before the invention of tension rods, drum skins were fastened and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. These methods are seldom used today, though look on regimental marching strap snare drums sometimes.[1] The head of any talking drum, for example, can be temporarily tightened by squeezing the ropes that hook up the bottom and top heads. Similarly, the tabla is tuned by hammering a disc held set up around the drum by ropes stretching from the top to bottom head. Orchestral timpani can be tuned to precise pitches by using a foot pedal quickly.Sound of your drum[edit]Several American Indian-style drums for sale at the Country wide Museum of the American Indian.Several factors determine the sound a drum produces, including the type, construction and condition of the drum shell, the type of drum heads it has, and the tension of the drumheads. Different drum sounds have different uses in music. Take, for example, the modern Tom-tom drum. A jazz drummer might want drums that are high pitched, resonant and noiseless whereas a rock drummer might choose drums that are loud, low-pitched and dry. Since these drummers want different sounds, their drums are constructed a little differently.The drum brain has the most effect on how a drum tones. Each kind of drum brain serves its own musical purpose and has its own unique audio. Double-ply drumheads dampen high frequency harmonics because they are heavier and they are suitable for heavy playing.[3] Drum mind with a white, textured covering about them muffle the overtones of the drum brain slightly, producing a less diverse pitch. Drum mind with central silver precious metal or black dots tend to muffle the overtones even more. And drum minds with perimeter audio rings mainly eliminate overtones (Howie 2005). Some jazz drummers stay away from thick drum heads, preferring solo ply drum minds or drum mind with no muffling
The next biggest factor that influences drum sound is head stress from the shell. When the hoop is located around the drum head and shell and tightened down with tension rods, the strain of the head can be adjusted. When the tension is increased, the amplitude of the audio is reduced and the frequency is increased, making the pitch higher and the volume lower.
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