The drum is an associate of the percussion band of musical equipment. Inside the Hornbostel-Sachs classification system, it is a membranophone.[1] Drums contain at least one membrane, called a drum or drumhead pores and skin, that is extended over the shell and struck, either immediately with the player's hands, or with a drum stay, to produce sound. There is a resonance head on the lower of the drum usually, typically tuned to a slightly lower pitch than the top drumhead. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums will be the world's oldest and most ubiquitous musical instruments, and the basic design has remained almost unchanged for thousands of years.[1]Drums may individually be performed, with the gamer using a one drum, and some drums such as the djembe are almost played in this way always. Others are normally played in a couple of two or more, all played by the main one player, such as bongo timpani and drums. A number of different drums as well as cymbals form the basic modern drum kit.
File:Drum container.jpg Wikimedia Commons
Drums are usually played out by dazzling with the palm, or with one or two sticks. In many traditional civilizations, drums have a symbolic function and are being used in spiritual ceremonies. Drums are being used in music therapy often, hand drums especially, for their tactile mother nature and easy use by a wide variety of people.[2]In popular music and jazz, "drums" usually refers to a drum kit or a set of drums (with some cymbals), and "drummer" to the individual who performs them.Drums purchased even divine position in places such as Burundi, where the karyenda was a symbol of the incurred electricity of the ruler.Construction[edit]Drum taken by John Unger, Company B, 40th Regiment New York Veteran Volunteer Infantry Mozart Regiment, December 20, 1863The shell almost has a circular beginning over which the drumhead is extended invariably, but the shape of the remainder of the shell varies widely. Inside the western musical traditions, the most common condition is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other styles include a frame design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet designed (djembe), and became a member of truncated cones (chatting drum).Drums with cylindrical shells can most probably at one end (as is the case with timbales), or can have two drum minds. Single-headed drums consist of a pores and skin extended over an enclosed space typically, or over one of the ends of the hollow vessel. Drums with two heads covering both ends of your cylindrical shell frequently have a small gap somewhat halfway between the two mind; the shell varieties a resonating chamber for the resulting sound. Exceptions include the African slit drum, also known as a log drum as it is made from a hollowed-out tree trunk, and the Caribbean steel drum, created from a metal barrel. Drums with two mind can also have a set of wires, called snares, kept across the bottom head, top brain, or both heads, hence the name snare drum.[1]
Drum Terms Drum Kit
On modern strap and orchestral drums, the drumhead is put over the opening of the drum, which in turn is placed onto the shell by the "counterhoop" (or "rim"), which is then held through lots of tuning screws called "tension rods" that screw into lugs put evenly throughout the circumference. The head's anxiety can be tweaked by loosening or tensing the rods. Many such drums have six to ten stress rods. The audio of a drum will depend on many variables--including form, shell size and thickness, shell materials, counterhoop materials, drumhead materials, drumhead pressure, drum position, location, and impressive velocity and angle.[1]
Learn how to play drums » Drum lessons » Drum grooves » John Bonham
Towards the technology of anxiety rods preceding, drum skins were attached and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. Today these methods are almost never used, though show up on regimental marching strap snare drums sometimes.[1] The top of the talking drum, for example, can be temporarily tightened by squeezing the ropes that connect the top and bottom heads. Similarly, the tabla is tuned by hammering a disc held in place around the drum by ropes stretching from the top to bottom head. Orchestral timpani can be tuned to precise pitches by utilizing a foot pedal quickly.Sound of the drum[edit]Several North american Indian-style drums for sale at the National Museum of the American Indian.Several factors determine the sound a drum produces, like the type, construction and shape of the drum shell, the kind of drum heads it offers, and the tension of these drumheads. Different drum tones have different uses in music. Take, for example, the present day Tom-tom drum. A jazz drummer might want drums that are high pitched, resonant and quiet whereas a rock drummer may prefer drums that are loud, dry and low-pitched. Since these drummers want different sounds, their drums are constructed just a little differently.The drum mind gets the most effect about how a drum does sound. Each type of drum brain serves its own musical goal and has its unique sound. Double-ply drumheads dampen high frequency harmonics because they're heavier and they're suited to heavy using.[3] Drum mind with a white, textured layer on them muffle the overtones of the drum brain slightly, producing a less diverse pitch. Drum mind with central sterling silver or dark dots have a tendency to muffle the overtones even more. And drum minds with perimeter audio rings usually eliminate overtones (Howie 2005). Some jazz drummers stay away from thick drum minds, preferring solo ply drum heads or drum minds with no muffling
Yamaha 18quot; x 13quot; PowerLite Marching Bass Drum MB6318W
The second biggest factor that affects drum audio is head anxiety against the shell. When the hoop is located around the drum head and shell and tightened down with tension rods, the strain of the head can be altered. When the strain is increased, the amplitude of the audio is reduced and the occurrence is increased, making the pitch higher and the quantity lower.
The drum is an associate of the percussion band of musical equipment. Inside the Hornbostel-Sachs classification system, it is a membranophone.[1] Drums contain at least one membrane, called a drum or drumhead pores and skin, that is extended over the shell and struck, either immediately with the player's hands, or with a drum stay, to produce sound. There is a resonance head on the lower of the drum usually, typically tuned to a slightly lower pitch than the top drumhead. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums will be the world's oldest and most ubiquitous musical instruments, and the basic design has remained almost unchanged for thousands of years.[1]Drums may individually be performed, with the gamer using a one drum, and some drums such as the djembe are almost played in this way always. Others are normally played in a couple of two or more, all played by the main one player, such as bongo timpani and drums. A number of different drums as well as cymbals form the basic modern drum kit..jpg "File:Drum container.jpg Wikimedia Commons")
Drums are usually played out by dazzling with the palm, or with one or two sticks. In many traditional civilizations, drums have a symbolic function and are being used in spiritual ceremonies. Drums are being used in music therapy often, hand drums especially, for their tactile mother nature and easy use by a wide variety of people.[2]In popular music and jazz, "drums" usually refers to a drum kit or a set of drums (with some cymbals), and "drummer" to the individual who performs them.Drums purchased even divine position in places such as Burundi, where the karyenda was a symbol of the incurred electricity of the ruler.Construction[edit]Drum taken by John Unger, Company B, 40th Regiment New York Veteran Volunteer Infantry Mozart Regiment, December 20, 1863The shell almost has a circular beginning over which the drumhead is extended invariably, but the shape of the remainder of the shell varies widely. Inside the western musical traditions, the most common condition is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other styles include a frame design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet designed (djembe), and became a member of truncated cones (chatting drum).Drums with cylindrical shells can most probably at one end (as is the case with timbales), or can have two drum minds. Single-headed drums consist of a pores and skin extended over an enclosed space typically, or over one of the ends of the hollow vessel. Drums with two heads covering both ends of your cylindrical shell frequently have a small gap somewhat halfway between the two mind; the shell varieties a resonating chamber for the resulting sound. Exceptions include the African slit drum, also known as a log drum as it is made from a hollowed-out tree trunk, and the Caribbean steel drum, created from a metal barrel. Drums with two mind can also have a set of wires, called snares, kept across the bottom head, top brain, or both heads, hence the name snare drum.[1]
On modern strap and orchestral drums, the drumhead is put over the opening of the drum, which in turn is placed onto the shell by the "counterhoop" (or "rim"), which is then held through lots of tuning screws called "tension rods" that screw into lugs put evenly throughout the circumference. The head's anxiety can be tweaked by loosening or tensing the rods. Many such drums have six to ten stress rods. The audio of a drum will depend on many variables--including form, shell size and thickness, shell materials, counterhoop materials, drumhead materials, drumhead pressure, drum position, location, and impressive velocity and angle.[1]
Towards the technology of anxiety rods preceding, drum skins were attached and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. Today these methods are almost never used, though show up on regimental marching strap snare drums sometimes.[1] The top of the talking drum, for example, can be temporarily tightened by squeezing the ropes that connect the top and bottom heads. Similarly, the tabla is tuned by hammering a disc held in place around the drum by ropes stretching from the top to bottom head. Orchestral timpani can be tuned to precise pitches by utilizing a foot pedal quickly.Sound of the drum[edit]Several North american Indian-style drums for sale at the National Museum of the American Indian.Several factors determine the sound a drum produces, like the type, construction and shape of the drum shell, the kind of drum heads it offers, and the tension of these drumheads. Different drum tones have different uses in music. Take, for example, the present day Tom-tom drum. A jazz drummer might want drums that are high pitched, resonant and quiet whereas a rock drummer may prefer drums that are loud, dry and low-pitched. Since these drummers want different sounds, their drums are constructed just a little differently.The drum mind gets the most effect about how a drum does sound. Each type of drum brain serves its own musical goal and has its unique sound. Double-ply drumheads dampen high frequency harmonics because they're heavier and they're suited to heavy using.[3] Drum mind with a white, textured layer on them muffle the overtones of the drum brain slightly, producing a less diverse pitch. Drum mind with central sterling silver or dark dots have a tendency to muffle the overtones even more. And drum minds with perimeter audio rings usually eliminate overtones (Howie 2005). Some jazz drummers stay away from thick drum minds, preferring solo ply drum heads or drum minds with no muffling
The second biggest factor that affects drum audio is head anxiety against the shell. When the hoop is located around the drum head and shell and tightened down with tension rods, the strain of the head can be altered. When the strain is increased, the amplitude of the audio is reduced and the occurrence is increased, making the pitch higher and the quantity lower.
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