The drum is a known member of the percussion group of musical devices. Within the Hornbostel-Sachs classification system, it is a membranophone.[1] Drums contain at least one membrane, called a drum or drumhead skin area, that is stretched more than a shell and struck, either immediately with the player's hands, or with a drum keep, to produce sound. There is generally a resonance head on the underside of the drum, typically tuned to a just a little lower pitch than the very best drumhead. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums will be the world's oldest & most ubiquitous musical musical instruments, and the basic design has remained unchanged for thousands of years virtually.[1]Drums may be enjoyed separately, with the participant using a single drum, and some drums such as the djembe are almost played in this way always. Others are played in a couple of several normally, all played by the main one player, such as bongo drums and timpani. A variety of drums with cymbals form the essential modern drum kit alongside one another.
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Drums are usually enjoyed by stunning with the hands, or with one or two sticks. In many traditional civilizations, drums have a symbolic function and are used in spiritual ceremonies. Drums are often used in music therapy, hand drums especially, for their tactile characteristics and easy use by a multitude of people.[2]In popular music and jazz, "drums" usually refers to a drum system or a couple of drums (with some cymbals), and "drummer" to the individual who plays them.Drums purchased even divine position in places such as Burundi, where in fact the karyenda was symbolic of the charged electricity of the king.Construction[edit]Drum taken by John Unger, Company B, 40th Regiment New York Veteran Volunteer Infantry Mozart Regiment, 20 december, 1863The shell almost has a round opening over which the drumhead is extended invariably, but the form of the rest of the shell differs widely. Inside the western musical traditions, the most common form is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other patterns include a structure design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet designed (djembe), and joined truncated cones (talking drum).Drums with cylindrical shells can be open at one end (as is the situation with timbales), or can have two drum minds. Single-headed drums consist of a epidermis stretched over an enclosed space typically, or higher one of the ends of any hollow vessel. Drums with two mind covering both ends of the cylindrical shell often have a small gap somewhat halfway between the two mind; the shell varieties a resonating chamber for the causing sound. Exceptions are the African slit drum, also called a log drum as it is manufactured out of a hollowed-out tree trunk, and the Caribbean metallic drum, made from a metal barrel. Drums with two minds can have a set of wiring also, called snares, presented across the lower part head, top head, or both relative heads, the name snare drum hence.[1]
File:Scottish Tenor Drum.jpg Wikipedia, the free encyclopedia
On modern music group and orchestral drums, the drumhead is located over the starting of the drum, which is placed onto the shell by a "counterhoop" (or "rim"), which is then placed by means of lots of tuning screws called "tension rods" that screw into lugs positioned evenly around the circumference. The head's tension can be changed by loosening or tightening up the rods. Many such drums have six to ten tension rods. The sound of an drum is determined by many variables--including condition, shell size and thickness, shell materials, counterhoop materials, drumhead material, drumhead stress, drum position, location, and eye-catching perspective and speed.[1]
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Before the invention of stress rods, drum skins were fastened and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. These procedures are almost never used today, though sometimes appear on regimental marching strap snare drums.[1] The top of an talking drum, for example, can be temporarily tightened by squeezing the ropes that hook up the top and bottom heads. Similarly, the tabla is tuned by hammering a disc held set up about the drum by ropes stretching from the most notable to bottom head. Orchestral timpani can be tuned to precise pitches by using a foot pedal quickly.Sound of the drum[edit]Several American Indian-style drums for sale at the Country wide Museum of the North american Indian.Several factors determine the audio a drum produces, like the type, construction and form of the drum shell, the kind of drum heads it has, and the tension of these drumheads. Different drum does sound have different uses in music. Take, for example, the present day Tom-tom drum. A jazz drummer might want drums that are high pitched, resonant and peaceful whereas a rock drummer might like drums that are loud, low-pitched and dry. Since these drummers want different sounds, their drums differently are created a little.The drum brain gets the most effect about how a drum may seem. Each type of drum mind serves its musical purpose and has its unique sound. Double-ply drumheads dampen high consistency harmonics because they're heavier and they are suitable for heavy playing.[3] Drum minds with a white, textured finish about them muffle the overtones of the drum brain slightly, producing a less diverse pitch. Drum heads with central metallic or dark-colored dots have a tendency to muffle the overtones even more. And drum minds with perimeter sound rings largely eliminate overtones (Howie 2005). Some jazz drummers avoid using thick drum minds, preferring one ply drum mind or drum mind without muffling
MUSICAL INSTRUMENTS STORE MELAKA MALAYSIA: Drums amp; Drum Accessories
The next biggest factor that influences drum sound is head pressure contrary to the shell. When the hoop is located around the drum shell and head and tightened down with tension rods, the tension of the top can be modified. When the strain is increased, the amplitude of the sound is reduced and the occurrence is increased, making the pitch higher and the quantity lower.
The drum is a known member of the percussion group of musical devices. Within the Hornbostel-Sachs classification system, it is a membranophone.[1] Drums contain at least one membrane, called a drum or drumhead skin area, that is stretched more than a shell and struck, either immediately with the player's hands, or with a drum keep, to produce sound. There is generally a resonance head on the underside of the drum, typically tuned to a just a little lower pitch than the very best drumhead. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums will be the world's oldest & most ubiquitous musical musical instruments, and the basic design has remained unchanged for thousands of years virtually.[1]Drums may be enjoyed separately, with the participant using a single drum, and some drums such as the djembe are almost played in this way always. Others are played in a couple of several normally, all played by the main one player, such as bongo drums and timpani. A variety of drums with cymbals form the essential modern drum kit alongside one another.
Drums are usually enjoyed by stunning with the hands, or with one or two sticks. In many traditional civilizations, drums have a symbolic function and are used in spiritual ceremonies. Drums are often used in music therapy, hand drums especially, for their tactile characteristics and easy use by a multitude of people.[2]In popular music and jazz, "drums" usually refers to a drum system or a couple of drums (with some cymbals), and "drummer" to the individual who plays them.Drums purchased even divine position in places such as Burundi, where in fact the karyenda was symbolic of the charged electricity of the king.Construction[edit]Drum taken by John Unger, Company B, 40th Regiment New York Veteran Volunteer Infantry Mozart Regiment, 20 december, 1863The shell almost has a round opening over which the drumhead is extended invariably, but the form of the rest of the shell differs widely. Inside the western musical traditions, the most common form is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other patterns include a structure design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet designed (djembe), and joined truncated cones (talking drum).Drums with cylindrical shells can be open at one end (as is the situation with timbales), or can have two drum minds. Single-headed drums consist of a epidermis stretched over an enclosed space typically, or higher one of the ends of any hollow vessel. Drums with two mind covering both ends of the cylindrical shell often have a small gap somewhat halfway between the two mind; the shell varieties a resonating chamber for the causing sound. Exceptions are the African slit drum, also called a log drum as it is manufactured out of a hollowed-out tree trunk, and the Caribbean metallic drum, made from a metal barrel. Drums with two minds can have a set of wiring also, called snares, presented across the lower part head, top head, or both relative heads, the name snare drum hence.[1]
On modern music group and orchestral drums, the drumhead is located over the starting of the drum, which is placed onto the shell by a "counterhoop" (or "rim"), which is then placed by means of lots of tuning screws called "tension rods" that screw into lugs positioned evenly around the circumference. The head's tension can be changed by loosening or tightening up the rods. Many such drums have six to ten tension rods. The sound of an drum is determined by many variables--including condition, shell size and thickness, shell materials, counterhoop materials, drumhead material, drumhead stress, drum position, location, and eye-catching perspective and speed.[1]
Before the invention of stress rods, drum skins were fastened and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. These procedures are almost never used today, though sometimes appear on regimental marching strap snare drums.[1] The top of an talking drum, for example, can be temporarily tightened by squeezing the ropes that hook up the top and bottom heads. Similarly, the tabla is tuned by hammering a disc held set up about the drum by ropes stretching from the most notable to bottom head. Orchestral timpani can be tuned to precise pitches by using a foot pedal quickly.Sound of the drum[edit]Several American Indian-style drums for sale at the Country wide Museum of the North american Indian.Several factors determine the audio a drum produces, like the type, construction and form of the drum shell, the kind of drum heads it has, and the tension of these drumheads. Different drum does sound have different uses in music. Take, for example, the present day Tom-tom drum. A jazz drummer might want drums that are high pitched, resonant and peaceful whereas a rock drummer might like drums that are loud, low-pitched and dry. Since these drummers want different sounds, their drums differently are created a little.The drum brain gets the most effect about how a drum may seem. Each type of drum mind serves its musical purpose and has its unique sound. Double-ply drumheads dampen high consistency harmonics because they're heavier and they are suitable for heavy playing.[3] Drum minds with a white, textured finish about them muffle the overtones of the drum brain slightly, producing a less diverse pitch. Drum heads with central metallic or dark-colored dots have a tendency to muffle the overtones even more. And drum minds with perimeter sound rings largely eliminate overtones (Howie 2005). Some jazz drummers avoid using thick drum minds, preferring one ply drum mind or drum mind without muffling
The next biggest factor that influences drum sound is head pressure contrary to the shell. When the hoop is located around the drum shell and head and tightened down with tension rods, the tension of the top can be modified. When the strain is increased, the amplitude of the sound is reduced and the occurrence is increased, making the pitch higher and the quantity lower.
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