The drum is an associate of the percussion group of musical devices. In the Hornbostel-Sachs classification system, it is a membranophone.[1] Drums contain at least one membrane, called a drumhead or drum skin area, that is stretched over a shell and struck, either immediately with the player's hands, or with a drum stay, to produce audio. There is usually a resonance head on the lower of the drum, tuned to a slightly lower pitch than the most notable drumhead typically. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums will be the world's oldest and most ubiquitous musical instruments, and the basic design has remained unchanged for thousands of years virtually.[1]Drums may individually be enjoyed, with the player using a solitary drum, and some drums including the djembe are almost played in this way always. Others are usually played in a couple of several, all played by the main one player, such as bongo timpani and drums. A variety of drums with cymbals form the basic modern drum package together.
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Drums are usually enjoyed by striking with the side, or with one or two sticks. In lots of traditional cultures, drums have a symbolic function and are used in religious ceremonies. Drums are often used in music therapy, hand drums especially, because of their tactile dynamics and easy use by a wide variety of people.[2]In popular music and jazz, "drums" usually refers to a drum package or a set of drums (with some cymbals), and "drummer" to the individual who plays them.Drums bought divine position in places such as Burundi even, where in fact the karyenda was a symbol of the incurred ability of the king.Construction[edit]Drum carried by John Unger, Company B, 40th Regiment New York Veteran Volunteer Infantry Mozart Regiment, 20 december, 1863The shell almost invariably has a round beginning over which the drumhead is extended, but the condition of the rest of the shell ranges widely. Inside the western musical custom, the most standard shape is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other forms include a framework design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet shaped (djembe), and joined truncated cones (discussing drum).Drums with cylindrical shells can most probably at one end (as is the situation with timbales), or can have two drum heads. Single-headed drums typically consist of a epidermis stretched over a specific space, or over one of the ends of any hollow vessel. Drums with two heads covering both ends of any cylindrical shell frequently have a small hole somewhat halfway between your two mind; the shell forms a resonating chamber for the resulting sound. Exceptions are the African slit drum, also known as a log drum as it is made from a hollowed-out tree trunk, and the Caribbean steel drum, created from a material barrel. Drums with two heads can have a set of wiring also, called snares, kept across the bottom level head, top mind, or both heads, hence the name snare drum.[1]
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On modern music group and orchestral drums, the drumhead is located over the opening of the drum, which in turn is placed onto the shell by the "counterhoop" (or "rim"), which is then kept by means of lots of tuning screws called "tension rods" that screw into lugs put evenly across the circumference. The head's pressure can be changed by loosening or tightening up the rods. Many such drums have six to ten tension rods. The sound of the drum is determined by many variables--including form, shell size and thickness, shell materials, counterhoop materials, drumhead materials, drumhead anxiety, drum position, location, and eye-catching perspective and speed.[1]
Before the invention of pressure rods, drum skins were fastened and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. Today these procedures are hardly ever used, though appear on regimental marching strap snare drums sometimes.[1] The top of any talking drum, for example, can be temporarily tightened by squeezing the ropes that connect the bottom and top heads. Similarly, the tabla is tuned by hammering a disc held set up about the drum by ropes stretching from the top to bottom head. Orchestral timpani can be quickly tuned to precise pitches by utilizing a foot pedal.Sound of your drum[edit]Several American Indian-style drums for sale at the National Museum of the American Indian.Several factors determine the sound a drum produces, including the type, construction and form of the drum shell, the sort of drum heads it has, and the tension of these drumheads. Different drum noises have different uses in music. Take, for example, the modern Tom-tom drum. A jazz drummer may want drums that are high pitched, resonant and quiet whereas a rock and roll drummer might prefer drums that are loud, low-pitched and dry. Since these drummers want different sounds, their drums in another way are constructed just a little.The drum head gets the most effect how a drum noises. Each kind of drum brain serves its own musical purpose and has its unique audio. Double-ply drumheads dampen high frequency harmonics because they are heavier and they are suited to heavy taking part in.[3] Drum mind with a white, textured finish in it muffle the overtones of the drum head slightly, producing a less diverse pitch. Drum heads with central gold or dark dots have a tendency to muffle the overtones even more. And drum heads with perimeter sound rings mostly eliminate overtones (Howie 2005). Some jazz drummers avoid using thick drum heads, preferring sole ply drum minds or drum heads with no muffling
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The second biggest factor that influences drum sound is head stress from the shell. When the hoop is placed around the drum head and shell and tightened down with tension rods, the tension of the top can be adjusted. When the strain is increased, the amplitude of the audio is reduced and the rate of recurrence is increased, making the pitch higher and the quantity lower.
.jpg "File:Drum container.jpg Wikimedia Commons")
The drum is an associate of the percussion group of musical devices. In the Hornbostel-Sachs classification system, it is a membranophone.[1] Drums contain at least one membrane, called a drumhead or drum skin area, that is stretched over a shell and struck, either immediately with the player's hands, or with a drum stay, to produce audio. There is usually a resonance head on the lower of the drum, tuned to a slightly lower pitch than the most notable drumhead typically. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums will be the world's oldest and most ubiquitous musical instruments, and the basic design has remained unchanged for thousands of years virtually.[1]Drums may individually be enjoyed, with the player using a solitary drum, and some drums including the djembe are almost played in this way always. Others are usually played in a couple of several, all played by the main one player, such as bongo timpani and drums. A variety of drums with cymbals form the basic modern drum package together.
Drums are usually enjoyed by striking with the side, or with one or two sticks. In lots of traditional cultures, drums have a symbolic function and are used in religious ceremonies. Drums are often used in music therapy, hand drums especially, because of their tactile dynamics and easy use by a wide variety of people.[2]In popular music and jazz, "drums" usually refers to a drum package or a set of drums (with some cymbals), and "drummer" to the individual who plays them.Drums bought divine position in places such as Burundi even, where in fact the karyenda was a symbol of the incurred ability of the king.Construction[edit]Drum carried by John Unger, Company B, 40th Regiment New York Veteran Volunteer Infantry Mozart Regiment, 20 december, 1863The shell almost invariably has a round beginning over which the drumhead is extended, but the condition of the rest of the shell ranges widely. Inside the western musical custom, the most standard shape is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other forms include a framework design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet shaped (djembe), and joined truncated cones (discussing drum).Drums with cylindrical shells can most probably at one end (as is the situation with timbales), or can have two drum heads. Single-headed drums typically consist of a epidermis stretched over a specific space, or over one of the ends of any hollow vessel. Drums with two heads covering both ends of any cylindrical shell frequently have a small hole somewhat halfway between your two mind; the shell forms a resonating chamber for the resulting sound. Exceptions are the African slit drum, also known as a log drum as it is made from a hollowed-out tree trunk, and the Caribbean steel drum, created from a material barrel. Drums with two heads can have a set of wiring also, called snares, kept across the bottom level head, top mind, or both heads, hence the name snare drum.[1]
On modern music group and orchestral drums, the drumhead is located over the opening of the drum, which in turn is placed onto the shell by the "counterhoop" (or "rim"), which is then kept by means of lots of tuning screws called "tension rods" that screw into lugs put evenly across the circumference. The head's pressure can be changed by loosening or tightening up the rods. Many such drums have six to ten tension rods. The sound of the drum is determined by many variables--including form, shell size and thickness, shell materials, counterhoop materials, drumhead materials, drumhead anxiety, drum position, location, and eye-catching perspective and speed.[1]
Before the invention of pressure rods, drum skins were fastened and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. Today these procedures are hardly ever used, though appear on regimental marching strap snare drums sometimes.[1] The top of any talking drum, for example, can be temporarily tightened by squeezing the ropes that connect the bottom and top heads. Similarly, the tabla is tuned by hammering a disc held set up about the drum by ropes stretching from the top to bottom head. Orchestral timpani can be quickly tuned to precise pitches by utilizing a foot pedal.Sound of your drum[edit]Several American Indian-style drums for sale at the National Museum of the American Indian.Several factors determine the sound a drum produces, including the type, construction and form of the drum shell, the sort of drum heads it has, and the tension of these drumheads. Different drum noises have different uses in music. Take, for example, the modern Tom-tom drum. A jazz drummer may want drums that are high pitched, resonant and quiet whereas a rock and roll drummer might prefer drums that are loud, low-pitched and dry. Since these drummers want different sounds, their drums in another way are constructed just a little.The drum head gets the most effect how a drum noises. Each kind of drum brain serves its own musical purpose and has its unique audio. Double-ply drumheads dampen high frequency harmonics because they are heavier and they are suited to heavy taking part in.[3] Drum mind with a white, textured finish in it muffle the overtones of the drum head slightly, producing a less diverse pitch. Drum heads with central gold or dark dots have a tendency to muffle the overtones even more. And drum heads with perimeter sound rings mostly eliminate overtones (Howie 2005). Some jazz drummers avoid using thick drum heads, preferring sole ply drum minds or drum heads with no muffling
The second biggest factor that influences drum sound is head stress from the shell. When the hoop is placed around the drum head and shell and tightened down with tension rods, the tension of the top can be adjusted. When the strain is increased, the amplitude of the audio is reduced and the rate of recurrence is increased, making the pitch higher and the quantity lower.
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