The drum is a member of the percussion group of musical equipment. In the Hornbostel-Sachs classification system, it is just a membranophone.[1] Drums contain at least one membrane, called a drum or drumhead epidermis, that is extended over the shell and struck, either straight with the player's hands, or with a drum stick, to produce audio. There's a resonance at once the lower of the drum usually, typically tuned to a slightly lower pitch than the top drumhead. Other techniques have been used to cause drums to make sound, like the thumb roll. Drums are the world's oldest & most ubiquitous musical equipment, and the basic design has remained practically unchanged for thousands of years.[1]Drums may be enjoyed independently, with the participant using a single drum, and some drums like the djembe are almost always played in this way. Others are played in a couple of several normally, all played by the main one player, such as bongo drums and timpani. A number of different drums as well as cymbals form the basic modern drum kit.
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Drums are played out by impressive with the palm usually, or with one or two sticks. In lots of traditional ethnicities, drums have a symbolic function and are being used in spiritual ceremonies. Drums are often used in music therapy, hand drums especially, because of their tactile aspect and easy use by a wide variety of people.[2]In popular jazz and music, "drums" usually refers to a drum system or a set of drums (with some cymbals), and "drummer" to the individual who takes on them.Drums obtained divine status in places such as Burundi even, where the karyenda was symbolic of the power of the king.Construction[edit]Drum transported by John Unger, Company B, 40th Regiment NY Veteran Volunteer Infantry Mozart Regiment, December 20, 1863The shell almost invariably has a round starting over which the drumhead is stretched, but the shape of the remainder of the shell varies widely. In the western musical tradition, the most typical form is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other figures include a shape design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet shaped (djembe), and joined truncated cones (communicating drum).Drums with cylindrical shells can be open at one end (as is the situation with timbales), or can have two drum minds. Single-headed drums consist of a epidermis extended over an enclosed space typically, or higher one of the ends of an hollow vessel. Drums with two minds covering both ends of an cylindrical shell frequently have a small hole somewhat halfway between the two mind; the shell varieties a resonating chamber for the causing sound. Exceptions include the African slit drum, also called a log drum as it is made from a hollowed-out tree trunk, and the Caribbean metallic drum, made from a material barrel. Drums with two mind can also have a set of wiring, called snares, placed across the bottom level head, top head, or both relative heads, the name snare drum hence.[1]
On modern group and orchestral drums, the drumhead is put over the starting of the drum, which is kept onto the shell by the "counterhoop" (or "rim"), which is then organised by means of lots of tuning screws called "tension rods" that screw into lugs put evenly about the circumference. The head's tension can be modified by loosening or tightening up the rods. Many such drums have six to ten tension rods. The sound of any drum depends on many variables--including form, shell thickness and size, shell materials, counterhoop materials, drumhead materials, drumhead anxiety, drum position, location, and striking speed and perspective.[1]
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Prior to the invention of anxiety rods, drum skins were fastened and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. Today these methods are seldom used, though seem on regimental marching music group snare drums sometimes.[1] The head of the talking drum, for example, can be temporarily tightened by squeezing the ropes that hook up the top and bottom heads. Similarly, the tabla is tuned by hammering a disc held in place about the drum by ropes stretching from the most notable to bottom head. Orchestral timpani can be tuned to precise pitches by using a foot pedal quickly.Sound of the drum[edit]Several American Indian-style drums on the market at the National Museum of the North american Indian.Several factors determine the audio a drum produces, like the type, shape and construction of the drum shell, the sort of drum heads they have, and the strain of these drumheads. Different drum noises have different uses in music. Take, for example, the modern Tom-tom drum. A jazz drummer might want drums that are high pitched, resonant and quiet whereas a rock and roll drummer might choose drums that are loud, low-pitched and dry. Since these drummers want different sounds, their drums are constructed a little differently.The drum mind gets the most effect about how a drum does sound. Each kind of drum brain serves its musical purpose and has its unique audio. Double-ply drumheads dampen high rate of recurrence harmonics because they're heavier and they are suitable for heavy taking part in.[3] Drum minds with a white, textured finish on them muffle the overtones of the drum brain slightly, producing a less diverse pitch. Drum minds with central metallic or dark dots have a tendency to muffle the overtones even more. And drum heads with perimeter audio rings usually eliminate overtones (Howie 2005). Some jazz drummers avoid using thick drum mind, preferring solo ply drum minds or drum mind with no muffling
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The next biggest factor that influences drum sound is head stress against the shell. When the hoop is positioned around the drum shell and head and tightened down with tension rods, the tension of the top can be adjusted. When the tension is increased, the amplitude of the sound is reduced and the rate of recurrence is increased, making the pitch higher and the volume lower.
The drum is a member of the percussion group of musical equipment. In the Hornbostel-Sachs classification system, it is just a membranophone.[1] Drums contain at least one membrane, called a drum or drumhead epidermis, that is extended over the shell and struck, either straight with the player's hands, or with a drum stick, to produce audio. There's a resonance at once the lower of the drum usually, typically tuned to a slightly lower pitch than the top drumhead. Other techniques have been used to cause drums to make sound, like the thumb roll. Drums are the world's oldest & most ubiquitous musical equipment, and the basic design has remained practically unchanged for thousands of years.[1]Drums may be enjoyed independently, with the participant using a single drum, and some drums like the djembe are almost always played in this way. Others are played in a couple of several normally, all played by the main one player, such as bongo drums and timpani. A number of different drums as well as cymbals form the basic modern drum kit.
Drums are played out by impressive with the palm usually, or with one or two sticks. In lots of traditional ethnicities, drums have a symbolic function and are being used in spiritual ceremonies. Drums are often used in music therapy, hand drums especially, because of their tactile aspect and easy use by a wide variety of people.[2]In popular jazz and music, "drums" usually refers to a drum system or a set of drums (with some cymbals), and "drummer" to the individual who takes on them.Drums obtained divine status in places such as Burundi even, where the karyenda was symbolic of the power of the king.Construction[edit]Drum transported by John Unger, Company B, 40th Regiment NY Veteran Volunteer Infantry Mozart Regiment, December 20, 1863The shell almost invariably has a round starting over which the drumhead is stretched, but the shape of the remainder of the shell varies widely. In the western musical tradition, the most typical form is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other figures include a shape design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet shaped (djembe), and joined truncated cones (communicating drum).Drums with cylindrical shells can be open at one end (as is the situation with timbales), or can have two drum minds. Single-headed drums consist of a epidermis extended over an enclosed space typically, or higher one of the ends of an hollow vessel. Drums with two minds covering both ends of an cylindrical shell frequently have a small hole somewhat halfway between the two mind; the shell varieties a resonating chamber for the causing sound. Exceptions include the African slit drum, also called a log drum as it is made from a hollowed-out tree trunk, and the Caribbean metallic drum, made from a material barrel. Drums with two mind can also have a set of wiring, called snares, placed across the bottom level head, top head, or both relative heads, the name snare drum hence.[1]
On modern group and orchestral drums, the drumhead is put over the starting of the drum, which is kept onto the shell by the "counterhoop" (or "rim"), which is then organised by means of lots of tuning screws called "tension rods" that screw into lugs put evenly about the circumference. The head's tension can be modified by loosening or tightening up the rods. Many such drums have six to ten tension rods. The sound of any drum depends on many variables--including form, shell thickness and size, shell materials, counterhoop materials, drumhead materials, drumhead anxiety, drum position, location, and striking speed and perspective.[1]
The next biggest factor that influences drum sound is head stress against the shell. When the hoop is positioned around the drum shell and head and tightened down with tension rods, the tension of the top can be adjusted. When the tension is increased, the amplitude of the sound is reduced and the rate of recurrence is increased, making the pitch higher and the volume lower.
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