The drum is a member of the percussion band of musical devices. Within the Hornbostel-Sachs classification system, it is a membranophone.[1] Drums contain at least one membrane, called a drum or drumhead skin area, that is extended over the shell and struck, either directly with the player's hands, or with a drum keep, to produce audio. There is usually a resonance at once the underside of the drum, typically tuned to a just a bit lower pitch than the top drumhead. Other techniques have been used to cause drums to make sound, including the thumb roll. Drums will be the world's oldest and most ubiquitous musical devices, and the basic design has remained virtually unchanged for thousands of years.[1]Drums may individually be played, with the ball player using a single drum, and some drums including the djembe are almost always played in this way. Others are usually played in a couple of several, all played by the main one player, such as bongo drums and timpani. A number of different drums with cymbals form the basic modern drum system alongside one another.
yamaha drums from 1968 Harmony Central
Drums are played by stunning with the hand usually, or with one or two sticks. In lots of traditional ethnicities, drums have a symbolic function and are used in spiritual ceremonies. Drums are often used in music therapy, hand drums especially, because of their tactile dynamics and easy use by a wide variety of people.[2]In popular music and jazz, "drums" usually identifies a drum set or a couple of drums (with some cymbals), and "drummer" to the individual who performs them.Drums bought even divine status in places such as Burundi, where in fact the karyenda was symbolic of the recharged electric power of the ruler.Construction[edit]Drum carried by John Unger, Company B, 40th Regiment New York Veteran Volunteer Infantry Mozart Regiment, 20 december, 1863The shell almost has a round opening over which the drumhead is stretched invariably, but the condition of the rest of the shell differs widely. In the western musical custom, the most regular form is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other figures include a structure design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet molded (djembe), and joined truncated cones (speaking drum).Drums with cylindrical shells can be open at one end (as is the situation with timbales), or can have two drum minds. Single-headed drums typically consist of a pores and skin extended over an enclosed space, or over one of the ends of your hollow vessel. Drums with two minds covering both ends of a cylindrical shell often have a small opening somewhat halfway between the two heads; the shell varieties a resonating chamber for the producing sound. Exceptions are the African slit drum, also called a log drum as it is made from a hollowed-out tree trunk, and the Caribbean steel drum, made from a steel barrel. Drums with two mind can have a set of wires also, called snares, performed across the bottom level head, top brain, or both heads, the name snare drum hence.[1]
On modern strap and orchestral drums, the drumhead is positioned over the opening of the drum, which in turn is organised onto the shell by a "counterhoop" (or "rim"), which is then presented through lots of tuning screws called "tension rods" that screw into lugs located evenly across the circumference. The head's stress can be modified by loosening or tightening up the rods. Many such drums have six to ten stress rods. The sound of any drum will depend on many variables--including condition, shell thickness and size, shell materials, counterhoop materials, drumhead materials, drumhead tension, drum position, location, and eye-catching angle and speed.[1]
Yamaha DTX9750K Electronic Drum Set Soul Drums
Before the technology of tension rods, drum skins were fastened and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. These procedures are hardly ever used today, though look on regimental marching band snare drums sometimes.[1] The top of any talking drum, for example, can be temporarily tightened by squeezing the ropes that connect the top and bottom heads. Similarly, the tabla is tuned by hammering a disc held in place round the drum by ropes stretching from the top to bottom head. Orchestral timpani can be tuned to precise pitches by utilizing a foot pedal quickly.Sound of the drum[edit]Several American Indian-style drums on the market at the National Museum of the American Indian.Several factors determine the sound a drum produces, including the type, shape and construction of the drum shell, the type of drum heads it has, and the tension of the drumheads. Different drum noises have different uses in music. Take, for example, the modern Tom-tom drum. A jazz drummer might want drums that are high pitched, resonant and tranquil whereas a rock drummer may choose drums that are loud, low-pitched and dry. Since these drummers want different sounds, their drums in different ways are made a little.The drum brain gets the most effect on how a drum may seem. Each kind of drum head serves its musical goal and has its unique sound. Double-ply drumheads dampen high rate of recurrence harmonics because they are heavier and they are suited to heavy learning.[3] Drum heads with a white, textured coating in it muffle the overtones of the drum head slightly, producing a less diverse pitch. Drum heads with central metallic or black dots have a tendency to muffle the overtones even more. And drum heads with perimeter sound rings typically eliminate overtones (Howie 2005). Some jazz drummers avoid using thick drum mind, preferring solo ply drum mind or drum heads without muffling
TALKING DRUM 3, Yoruba?, Nigeria
The second biggest factor that impacts drum sound is head stress up against the shell. When the hoop is located around the drum shell and head and tightened down with tension rods, the tension of the head can be modified. When the tension is increased, the amplitude of the sound is reduced and the rate of recurrence is increased, making the pitch higher and the volume lower.
The drum is a member of the percussion band of musical devices. Within the Hornbostel-Sachs classification system, it is a membranophone.[1] Drums contain at least one membrane, called a drum or drumhead skin area, that is extended over the shell and struck, either directly with the player's hands, or with a drum keep, to produce audio. There is usually a resonance at once the underside of the drum, typically tuned to a just a bit lower pitch than the top drumhead. Other techniques have been used to cause drums to make sound, including the thumb roll. Drums will be the world's oldest and most ubiquitous musical devices, and the basic design has remained virtually unchanged for thousands of years.[1]Drums may individually be played, with the ball player using a single drum, and some drums including the djembe are almost always played in this way. Others are usually played in a couple of several, all played by the main one player, such as bongo drums and timpani. A number of different drums with cymbals form the basic modern drum system alongside one another.
Drums are played by stunning with the hand usually, or with one or two sticks. In lots of traditional ethnicities, drums have a symbolic function and are used in spiritual ceremonies. Drums are often used in music therapy, hand drums especially, because of their tactile dynamics and easy use by a wide variety of people.[2]In popular music and jazz, "drums" usually identifies a drum set or a couple of drums (with some cymbals), and "drummer" to the individual who performs them.Drums bought even divine status in places such as Burundi, where in fact the karyenda was symbolic of the recharged electric power of the ruler.Construction[edit]Drum carried by John Unger, Company B, 40th Regiment New York Veteran Volunteer Infantry Mozart Regiment, 20 december, 1863The shell almost has a round opening over which the drumhead is stretched invariably, but the condition of the rest of the shell differs widely. In the western musical custom, the most regular form is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other figures include a structure design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet molded (djembe), and joined truncated cones (speaking drum).Drums with cylindrical shells can be open at one end (as is the situation with timbales), or can have two drum minds. Single-headed drums typically consist of a pores and skin extended over an enclosed space, or over one of the ends of your hollow vessel. Drums with two minds covering both ends of a cylindrical shell often have a small opening somewhat halfway between the two heads; the shell varieties a resonating chamber for the producing sound. Exceptions are the African slit drum, also called a log drum as it is made from a hollowed-out tree trunk, and the Caribbean steel drum, made from a steel barrel. Drums with two mind can have a set of wires also, called snares, performed across the bottom level head, top brain, or both heads, the name snare drum hence.[1]
On modern strap and orchestral drums, the drumhead is positioned over the opening of the drum, which in turn is organised onto the shell by a "counterhoop" (or "rim"), which is then presented through lots of tuning screws called "tension rods" that screw into lugs located evenly across the circumference. The head's stress can be modified by loosening or tightening up the rods. Many such drums have six to ten stress rods. The sound of any drum will depend on many variables--including condition, shell thickness and size, shell materials, counterhoop materials, drumhead materials, drumhead tension, drum position, location, and eye-catching angle and speed.[1]
Before the technology of tension rods, drum skins were fastened and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. These procedures are hardly ever used today, though look on regimental marching band snare drums sometimes.[1] The top of any talking drum, for example, can be temporarily tightened by squeezing the ropes that connect the top and bottom heads. Similarly, the tabla is tuned by hammering a disc held in place round the drum by ropes stretching from the top to bottom head. Orchestral timpani can be tuned to precise pitches by utilizing a foot pedal quickly.Sound of the drum[edit]Several American Indian-style drums on the market at the National Museum of the American Indian.Several factors determine the sound a drum produces, including the type, shape and construction of the drum shell, the type of drum heads it has, and the tension of the drumheads. Different drum noises have different uses in music. Take, for example, the modern Tom-tom drum. A jazz drummer might want drums that are high pitched, resonant and tranquil whereas a rock drummer may choose drums that are loud, low-pitched and dry. Since these drummers want different sounds, their drums in different ways are made a little.The drum brain gets the most effect on how a drum may seem. Each kind of drum head serves its musical goal and has its unique sound. Double-ply drumheads dampen high rate of recurrence harmonics because they are heavier and they are suited to heavy learning.[3] Drum heads with a white, textured coating in it muffle the overtones of the drum head slightly, producing a less diverse pitch. Drum heads with central metallic or black dots have a tendency to muffle the overtones even more. And drum heads with perimeter sound rings typically eliminate overtones (Howie 2005). Some jazz drummers avoid using thick drum mind, preferring solo ply drum mind or drum heads without muffling
The second biggest factor that impacts drum sound is head stress up against the shell. When the hoop is located around the drum shell and head and tightened down with tension rods, the tension of the head can be modified. When the tension is increased, the amplitude of the sound is reduced and the rate of recurrence is increased, making the pitch higher and the volume lower.
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