The drum is a known member of the percussion group of musical equipment. Within the Hornbostel-Sachs classification system, this is a membranophone.[1] Drums contain at least one membrane, called a drum or drumhead skin area, that is extended more than a shell and struck, either directly with the player's hands, or with a drum stick, to produce audio. There is generally a resonance head on the lower of the drum, typically tuned to a slightly lower pitch than the very best drumhead. Other techniques have been used to cause drums to make sound, like the thumb roll. Drums will be the world's oldest and most ubiquitous musical devices, and the basic design has remained unchanged for thousands of years virtually.[1]Drums may separately be enjoyed, with the participant using a one drum, and some drums including the djembe are almost always played in this way. Others are played in a couple of several normally, all played by the main one player, such as bongo drums and timpani. A variety of drums with cymbals form the basic modern drum package mutually.
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Drums are performed by striking with the palm usually, or with one or two sticks. In many traditional ethnicities, drums have a symbolic function and are being used in spiritual ceremonies. Drums are often used in music therapy, especially hand drums, for their tactile aspect and easy use by a wide variety of people.[2]In popular jazz and music, "drums" usually refers to a drum system or a set of drums (with some cymbals), and "drummer" to the individual who performs them.Drums received even divine status in places such as Burundi, where the karyenda was symbolic of the recharged electricity of the king.Construction[edit]Drum taken by John Unger, Company B, 40th Regiment NY Veteran Volunteer Infantry Mozart Regiment, December 20, 1863The shell almost invariably has a round beginning over which the drumhead is stretched, but the shape of the remainder of the shell differs widely. In the western musical custom, the most typical condition is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other styles include a frame design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet molded (djembe), and signed up with truncated cones (speaking drum).Drums with cylindrical shells can most probably at one end (as is the situation with timbales), or can have two drum heads. Single-headed drums contain a skin extended over an enclosed space typically, or over one of the ends of an hollow vessel. Drums with two mind covering both ends of any cylindrical shell often have a small opening somewhat halfway between your two minds; the shell varieties a resonating chamber for the producing sound. Exceptions are the African slit drum, also known as a log drum as it is made from a hollowed-out tree trunk, and the Caribbean metallic drum, made from a metallic barrel. Drums with two mind can also have a set of wiring, called snares, held across the lower part head, top mind, or both relative heads, hence the name snare drum.[1]
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On modern group and orchestral drums, the drumhead is put over the beginning of the drum, which in turn is placed onto the shell by a "counterhoop" (or "rim"), which is then kept by means of lots of tuning screws called "tension rods" that screw into lugs located evenly across the circumference. The head's stress can be modified by loosening or tensing the rods. Many such drums have six to ten tension rods. The sound of the drum is determined by many variables--including shape, shell size and thickness, shell materials, counterhoop materials, drumhead materials, drumhead pressure, drum position, location, and dazzling velocity and position.[1]
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Prior to the technology of stress rods, drum skins were fastened and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. Today these procedures are hardly ever used, though seem on regimental marching band snare drums sometimes.[1] The head of an talking drum, for example, can be temporarily tightened by squeezing the ropes that connect the bottom and top heads. Similarly, the tabla is tuned by hammering a disc held in place round the drum by ropes stretching from the most notable to bottom head. Orchestral timpani can be tuned to precise pitches by by using a foot pedal quickly.Sound of the drum[edit]Several North american Indian-style drums on the market at the National Museum of the American Indian.Several factors determine the audio a drum produces, including the type, shape and construction of the drum shell, the sort of drum heads it has, and the strain of the drumheads. Different drum looks have different uses in music. Take, for example, the modern Tom-tom drum. A jazz drummer may want drums that are high pitched, resonant and peaceful whereas a rock and roll drummer may like drums that are loud, low-pitched and dry. Since these drummers want different sounds, their drums are constructed a little differently.The drum brain has the most effect about how a drum looks. Each kind of drum head serves its musical purpose and has its own unique sound. Double-ply drumheads dampen high regularity harmonics because they are heavier and they are suitable for heavy taking part in.[3] Drum minds with a white, textured finish to them muffle the overtones of the drum head slightly, creating a less diverse pitch. Drum minds with central gold or dark-colored dots tend to muffle the overtones even more. And drum mind with perimeter audio rings largely eliminate overtones (Howie 2005). Some jazz drummers avoid using thick drum heads, preferring solitary ply drum minds or drum mind without muffling
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The next biggest factor that affects drum audio is head stress up against the shell. When the hoop is positioned around the drum shell and head and tightened down with tension rods, the strain of the head can be adjusted. When the tension is increased, the amplitude of the audio is reduced and the regularity is increased, making the pitch higher and the volume lower.
The drum is a known member of the percussion group of musical equipment. Within the Hornbostel-Sachs classification system, this is a membranophone.[1] Drums contain at least one membrane, called a drum or drumhead skin area, that is extended more than a shell and struck, either directly with the player's hands, or with a drum stick, to produce audio. There is generally a resonance head on the lower of the drum, typically tuned to a slightly lower pitch than the very best drumhead. Other techniques have been used to cause drums to make sound, like the thumb roll. Drums will be the world's oldest and most ubiquitous musical devices, and the basic design has remained unchanged for thousands of years virtually.[1]Drums may separately be enjoyed, with the participant using a one drum, and some drums including the djembe are almost always played in this way. Others are played in a couple of several normally, all played by the main one player, such as bongo drums and timpani. A variety of drums with cymbals form the basic modern drum package mutually.
Drums are performed by striking with the palm usually, or with one or two sticks. In many traditional ethnicities, drums have a symbolic function and are being used in spiritual ceremonies. Drums are often used in music therapy, especially hand drums, for their tactile aspect and easy use by a wide variety of people.[2]In popular jazz and music, "drums" usually refers to a drum system or a set of drums (with some cymbals), and "drummer" to the individual who performs them.Drums received even divine status in places such as Burundi, where the karyenda was symbolic of the recharged electricity of the king.Construction[edit]Drum taken by John Unger, Company B, 40th Regiment NY Veteran Volunteer Infantry Mozart Regiment, December 20, 1863The shell almost invariably has a round beginning over which the drumhead is stretched, but the shape of the remainder of the shell differs widely. In the western musical custom, the most typical condition is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other styles include a frame design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet molded (djembe), and signed up with truncated cones (speaking drum).Drums with cylindrical shells can most probably at one end (as is the situation with timbales), or can have two drum heads. Single-headed drums contain a skin extended over an enclosed space typically, or over one of the ends of an hollow vessel. Drums with two mind covering both ends of any cylindrical shell often have a small opening somewhat halfway between your two minds; the shell varieties a resonating chamber for the producing sound. Exceptions are the African slit drum, also known as a log drum as it is made from a hollowed-out tree trunk, and the Caribbean metallic drum, made from a metallic barrel. Drums with two mind can also have a set of wiring, called snares, held across the lower part head, top mind, or both relative heads, hence the name snare drum.[1]
On modern group and orchestral drums, the drumhead is put over the beginning of the drum, which in turn is placed onto the shell by a "counterhoop" (or "rim"), which is then kept by means of lots of tuning screws called "tension rods" that screw into lugs located evenly across the circumference. The head's stress can be modified by loosening or tensing the rods. Many such drums have six to ten tension rods. The sound of the drum is determined by many variables--including shape, shell size and thickness, shell materials, counterhoop materials, drumhead materials, drumhead pressure, drum position, location, and dazzling velocity and position.[1]
Prior to the technology of stress rods, drum skins were fastened and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. Today these procedures are hardly ever used, though seem on regimental marching band snare drums sometimes.[1] The head of an talking drum, for example, can be temporarily tightened by squeezing the ropes that connect the bottom and top heads. Similarly, the tabla is tuned by hammering a disc held in place round the drum by ropes stretching from the most notable to bottom head. Orchestral timpani can be tuned to precise pitches by by using a foot pedal quickly.Sound of the drum[edit]Several North american Indian-style drums on the market at the National Museum of the American Indian.Several factors determine the audio a drum produces, including the type, shape and construction of the drum shell, the sort of drum heads it has, and the strain of the drumheads. Different drum looks have different uses in music. Take, for example, the modern Tom-tom drum. A jazz drummer may want drums that are high pitched, resonant and peaceful whereas a rock and roll drummer may like drums that are loud, low-pitched and dry. Since these drummers want different sounds, their drums are constructed a little differently.The drum brain has the most effect about how a drum looks. Each kind of drum head serves its musical purpose and has its own unique sound. Double-ply drumheads dampen high regularity harmonics because they are heavier and they are suitable for heavy taking part in.[3] Drum minds with a white, textured finish to them muffle the overtones of the drum head slightly, creating a less diverse pitch. Drum minds with central gold or dark-colored dots tend to muffle the overtones even more. And drum mind with perimeter audio rings largely eliminate overtones (Howie 2005). Some jazz drummers avoid using thick drum heads, preferring solitary ply drum minds or drum mind without muffling
The next biggest factor that affects drum audio is head stress up against the shell. When the hoop is positioned around the drum shell and head and tightened down with tension rods, the strain of the head can be adjusted. When the tension is increased, the amplitude of the audio is reduced and the regularity is increased, making the pitch higher and the volume lower.
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