The drum is an associate of the percussion band of musical instruments. Inside the Hornbostel-Sachs classification system, this is a membranophone.[1] Drums contain at least one membrane, called a drumhead or drum pores and skin, that is stretched over a shell and struck, either straight with the player's hands, or with a drum keep, to produce audio. There is generally a resonance at once the underside of the drum, tuned to a just a little lower pitch than the top drumhead typically. Other techniques have been used to cause drums to make sound, including the thumb roll. Drums will be the world's oldest & most ubiquitous musical equipment, and the basic design has remained unchanged for thousands of years virtually.[1]Drums may be played out individually, with the gamer using a one drum, and some drums such as the djembe are almost always played in this way. Others are usually played in a set of two or more, all played by the one player, such as bongo timpani and drums. A variety of drums together with cymbals form the essential modern drum kit.
yamaha drums from 1968 Harmony Central
Drums are usually performed by dazzling with the side, or with one or two sticks. In many traditional civilizations, drums have a symbolic function and are used in spiritual ceremonies. Drums are being used in music therapy often, hand drums especially, for their tactile dynamics and easy use by a multitude of people.[2]In popular jazz and music, "drums" usually refers to a drum set up or a couple of drums (with some cymbals), and "drummer" to the individual who takes on them.Drums attained divine status in places such as Burundi even, where the karyenda was a symbol of the priced electric power of the ruler.Construction[edit]Drum taken by John Unger, Company B, 40th Regiment NY Veteran Volunteer Infantry Mozart Regiment, December 20, 1863The shell almost has a circular beginning over which the drumhead is extended invariably, but the form of the rest of the shell differs widely. Within the western musical tradition, the most typical form is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other patterns include a body design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet formed (djembe), and joined truncated cones (communicating drum).Drums with cylindrical shells can be open at one end (as is the truth with timbales), or can have two drum mind. Single-headed drums typically contain a pores and skin extended over a specific space, or higher one of the ends of the hollow vessel. Drums with two heads covering both ends of your cylindrical shell often have a small gap somewhat halfway between the two heads; the shell forms a resonating chamber for the resulting sound. Exceptions include the African slit drum, also called a log drum as it is manufactured out of a hollowed-out tree trunk, and the Caribbean material drum, created from a metal barrel. Drums with two mind can have a set of wiring also, called snares, placed across the bottom head, top mind, or both heads, the name snare drum hence.[1]
TALKING DRUM 3, Yoruba?, Nigeria
On modern strap and orchestral drums, the drumhead is put over the starting of the drum, which is held onto the shell by the "counterhoop" (or "rim"), which is then organised by means of a number of tuning screws called "tension rods" that screw into lugs positioned evenly throughout the circumference. The head's stress can be adjusted by loosening or tightening the rods. Many such drums have six to ten anxiety rods. The audio of any drum depends on many variables--including condition, shell size and thickness, shell materials, counterhoop materials, drumhead materials, drumhead pressure, drum position, location, and eye-catching speed and position.[1]
Famous Drum Sets No.3 Four Piece Set : Gear Vault
Before the invention of anxiety rods, drum skins were attached and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. Today these methods are rarely used, though seem on regimental marching band snare drums sometimes.[1] The head of a talking drum, for example, can be temporarily tightened by squeezing the ropes that hook up the bottom and top heads. Similarly, the tabla is tuned by hammering a disc held in place about the drum by ropes stretching from the very best to bottom head. Orchestral timpani can be quickly tuned to precise pitches by by using a foot pedal.Sound of the drum[edit]Several North american Indian-style drums for sale at the Country wide Museum of the American Indian.Several factors determine the audio a drum produces, like the type, construction and condition of the drum shell, the sort of drum heads it includes, and the strain of the drumheads. Different drum sounds have different uses in music. Take, for example, the present day Tom-tom drum. A jazz drummer might want drums that are high pitched, resonant and silent whereas a rock and roll drummer might choose drums that are loud, low-pitched and dry. Since these drummers want different sounds, their drums are constructed a little differently.The drum mind gets the most effect about how a drum noises. Each kind of drum mind serves its musical purpose and has its own unique audio. Double-ply drumheads dampen high regularity harmonics because they are heavier and they are suited to heavy performing.[3] Drum heads with a white, textured coating about them muffle the overtones of the drum mind slightly, creating a less diverse pitch. Drum minds with central silver precious metal or dark dots tend to muffle the overtones even more. And drum minds with perimeter audio rings mainly eliminate overtones (Howie 2005). Some jazz drummers stay away from thick drum heads, preferring single ply drum minds or drum heads with no muffling
The next biggest factor that influences drum sound is head stress against the shell. When the hoop is placed around the drum shell and head and tightened down with tension rods, the strain of the top can be tweaked. When the strain is increased, the amplitude of the audio is reduced and the frequency is increased, making the pitch higher and the quantity lower.
The drum is an associate of the percussion band of musical instruments. Inside the Hornbostel-Sachs classification system, this is a membranophone.[1] Drums contain at least one membrane, called a drumhead or drum pores and skin, that is stretched over a shell and struck, either straight with the player's hands, or with a drum keep, to produce audio. There is generally a resonance at once the underside of the drum, tuned to a just a little lower pitch than the top drumhead typically. Other techniques have been used to cause drums to make sound, including the thumb roll. Drums will be the world's oldest & most ubiquitous musical equipment, and the basic design has remained unchanged for thousands of years virtually.[1]Drums may be played out individually, with the gamer using a one drum, and some drums such as the djembe are almost always played in this way. Others are usually played in a set of two or more, all played by the one player, such as bongo timpani and drums. A variety of drums together with cymbals form the essential modern drum kit.
Drums are usually performed by dazzling with the side, or with one or two sticks. In many traditional civilizations, drums have a symbolic function and are used in spiritual ceremonies. Drums are being used in music therapy often, hand drums especially, for their tactile dynamics and easy use by a multitude of people.[2]In popular jazz and music, "drums" usually refers to a drum set up or a couple of drums (with some cymbals), and "drummer" to the individual who takes on them.Drums attained divine status in places such as Burundi even, where the karyenda was a symbol of the priced electric power of the ruler.Construction[edit]Drum taken by John Unger, Company B, 40th Regiment NY Veteran Volunteer Infantry Mozart Regiment, December 20, 1863The shell almost has a circular beginning over which the drumhead is extended invariably, but the form of the rest of the shell differs widely. Within the western musical tradition, the most typical form is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other patterns include a body design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet formed (djembe), and joined truncated cones (communicating drum).Drums with cylindrical shells can be open at one end (as is the truth with timbales), or can have two drum mind. Single-headed drums typically contain a pores and skin extended over a specific space, or higher one of the ends of the hollow vessel. Drums with two heads covering both ends of your cylindrical shell often have a small gap somewhat halfway between the two heads; the shell forms a resonating chamber for the resulting sound. Exceptions include the African slit drum, also called a log drum as it is manufactured out of a hollowed-out tree trunk, and the Caribbean material drum, created from a metal barrel. Drums with two mind can have a set of wiring also, called snares, placed across the bottom head, top mind, or both heads, the name snare drum hence.[1]
On modern strap and orchestral drums, the drumhead is put over the starting of the drum, which is held onto the shell by the "counterhoop" (or "rim"), which is then organised by means of a number of tuning screws called "tension rods" that screw into lugs positioned evenly throughout the circumference. The head's stress can be adjusted by loosening or tightening the rods. Many such drums have six to ten anxiety rods. The audio of any drum depends on many variables--including condition, shell size and thickness, shell materials, counterhoop materials, drumhead materials, drumhead pressure, drum position, location, and eye-catching speed and position.[1]
Before the invention of anxiety rods, drum skins were attached and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. Today these methods are rarely used, though seem on regimental marching band snare drums sometimes.[1] The head of a talking drum, for example, can be temporarily tightened by squeezing the ropes that hook up the bottom and top heads. Similarly, the tabla is tuned by hammering a disc held in place about the drum by ropes stretching from the very best to bottom head. Orchestral timpani can be quickly tuned to precise pitches by by using a foot pedal.Sound of the drum[edit]Several North american Indian-style drums for sale at the Country wide Museum of the American Indian.Several factors determine the audio a drum produces, like the type, construction and condition of the drum shell, the sort of drum heads it includes, and the strain of the drumheads. Different drum sounds have different uses in music. Take, for example, the present day Tom-tom drum. A jazz drummer might want drums that are high pitched, resonant and silent whereas a rock and roll drummer might choose drums that are loud, low-pitched and dry. Since these drummers want different sounds, their drums are constructed a little differently.The drum mind gets the most effect about how a drum noises. Each kind of drum mind serves its musical purpose and has its own unique audio. Double-ply drumheads dampen high regularity harmonics because they are heavier and they are suited to heavy performing.[3] Drum heads with a white, textured coating about them muffle the overtones of the drum mind slightly, creating a less diverse pitch. Drum minds with central silver precious metal or dark dots tend to muffle the overtones even more. And drum minds with perimeter audio rings mainly eliminate overtones (Howie 2005). Some jazz drummers stay away from thick drum heads, preferring single ply drum minds or drum heads with no muffling
The next biggest factor that influences drum sound is head stress against the shell. When the hoop is placed around the drum shell and head and tightened down with tension rods, the strain of the top can be tweaked. When the strain is increased, the amplitude of the audio is reduced and the frequency is increased, making the pitch higher and the quantity lower.
{ 0 comments... Views All / Send Comment! }
Post a Comment