The drum is a member of the percussion group of musical equipment. In the Hornbostel-Sachs classification system, this is a membranophone.[1] Drums consist of at least one membrane, called a drum or drumhead skin area, that is stretched on the shell and struck, either straight with the player's hands, or with a drum stay, to produce audio. There is a resonance at once the lower of the drum usually, tuned to a marginally lower pitch than the most notable drumhead typically. Other techniques have been used to cause drums to make sound, like the thumb roll. Drums are the world's oldest and most ubiquitous musical musical instruments, and the basic design has remained virtually unchanged for thousands of years.[1]Drums may individually be performed, with the player using a sole drum, and some drums like the djembe are almost always played in this way. Others are normally played in a couple of several, all played by the main one player, such as bongo timpani and drums. A variety of drums together with cymbals form the basic modern drum kit.
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Drums are enjoyed by attractive with the side usually, or with a couple of sticks. In many traditional civilizations, drums have a symbolic function and are used in religious ceremonies. Drums are often used in music therapy, especially hand drums, for their tactile characteristics and easy use by a wide variety of people.[2]In popular jazz and music, "drums" usually identifies a drum set up or a set of drums (with some cymbals), and "drummer" to the individual who performs them.Drums received divine status in places such as Burundi even, where in fact the karyenda was a symbol of the power of the ruler.Construction[edit]Drum taken by John Unger, Company B, 40th Regiment New York Veteran Volunteer Infantry Mozart Regiment, December 20, 1863The shell almost invariably has a round opening over which the drumhead is extended, but the shape of the remainder of the shell ranges widely. Within the western musical tradition, the most standard form is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other figures include a structure design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet designed (djembe), and signed up with truncated cones (conversing drum).Drums with cylindrical shells can most probably at one end (as is the situation with timbales), or can have two drum mind. Single-headed drums contain a skin stretched over an enclosed space typically, or higher one of the ends of your hollow vessel. Drums with two heads covering both ends of any cylindrical shell frequently have a small gap somewhat halfway between the two heads; the shell forms a resonating chamber for the producing sound. Exceptions include the African slit drum, also called a log drum as it is manufactured out of a hollowed-out tree trunk, and the Caribbean material drum, made from a steel barrel. Drums with two mind can have a couple of cables also, called snares, presented across the bottom level head, top mind, or both relative heads, the name snare drum hence.[1]
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On modern band and orchestral drums, the drumhead is located over the opening of the drum, which in turn is placed onto the shell by way of a "counterhoop" (or "rim"), which is then organised through lots of tuning screws called "tension rods" that screw into lugs put evenly throughout the circumference. The head's anxiety can be changed by loosening or tightening up the rods. Many such drums have six to ten tension rods. The sound of a drum depends on many variables--including form, shell size and thickness, shell materials, counterhoop materials, drumhead material, drumhead anxiety, drum position, location, and attractive angle and speed.[1]
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Towards the invention of tension rods preceding, drum skins were fastened and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. Today these procedures are almost never used, though look on regimental marching strap snare drums sometimes.[1] The head of an talking drum, for example, can be temporarily tightened by squeezing the ropes that connect the top and bottom heads. Similarly, the tabla is tuned by hammering a disc held in place round the drum by ropes stretching from the very best to bottom head. Orchestral timpani can be tuned to precise pitches by utilizing a foot pedal quickly.Sound of any drum[edit]Several North american Indian-style drums on the market at the National Museum of the North american Indian.Several factors determine the audio a drum produces, like the type, construction and shape of the drum shell, the type of drum heads it offers, and the tension of the drumheads. Different drum sounds have different uses in music. Take, for example, the modern Tom-tom drum. A jazz drummer may want drums that are high pitched, resonant and peaceful whereas a rock and roll drummer may favor drums that are loud, dry and low-pitched. Since these drummers want different sounds, their drums in different ways are made just a little.The drum mind gets the most effect about how a drum may seem. Each kind of drum mind serves its musical purpose and has its unique sound. Double-ply drumheads dampen high rate of recurrence harmonics because they are heavier and they are suited to heavy using.[3] Drum minds with a white, textured covering with them muffle the overtones of the drum head slightly, producing a less diverse pitch. Drum minds with central metallic or dark-colored dots tend to muffle the overtones even more. And drum minds with perimeter sound rings usually eliminate overtones (Howie 2005). Some jazz drummers stay away from thick drum minds, preferring one ply drum heads or drum mind with no muffling
Description Snare drum Vladimir Morozov.jpg
The second biggest factor that influences drum sound is head anxiety resistant to the shell. When the hoop is placed around the drum shell and head and tightened down with tension rods, the strain of the head can be fine-tuned. When the strain is increased, the amplitude of the sound is reduced and the rate of recurrence is increased, making the pitch higher and the quantity lower.
The drum is a member of the percussion group of musical equipment. In the Hornbostel-Sachs classification system, this is a membranophone.[1] Drums consist of at least one membrane, called a drum or drumhead skin area, that is stretched on the shell and struck, either straight with the player's hands, or with a drum stay, to produce audio. There is a resonance at once the lower of the drum usually, tuned to a marginally lower pitch than the most notable drumhead typically. Other techniques have been used to cause drums to make sound, like the thumb roll. Drums are the world's oldest and most ubiquitous musical musical instruments, and the basic design has remained virtually unchanged for thousands of years.[1]Drums may individually be performed, with the player using a sole drum, and some drums like the djembe are almost always played in this way. Others are normally played in a couple of several, all played by the main one player, such as bongo timpani and drums. A variety of drums together with cymbals form the basic modern drum kit.
Drums are enjoyed by attractive with the side usually, or with a couple of sticks. In many traditional civilizations, drums have a symbolic function and are used in religious ceremonies. Drums are often used in music therapy, especially hand drums, for their tactile characteristics and easy use by a wide variety of people.[2]In popular jazz and music, "drums" usually identifies a drum set up or a set of drums (with some cymbals), and "drummer" to the individual who performs them.Drums received divine status in places such as Burundi even, where in fact the karyenda was a symbol of the power of the ruler.Construction[edit]Drum taken by John Unger, Company B, 40th Regiment New York Veteran Volunteer Infantry Mozart Regiment, December 20, 1863The shell almost invariably has a round opening over which the drumhead is extended, but the shape of the remainder of the shell ranges widely. Within the western musical tradition, the most standard form is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other figures include a structure design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet designed (djembe), and signed up with truncated cones (conversing drum).Drums with cylindrical shells can most probably at one end (as is the situation with timbales), or can have two drum mind. Single-headed drums contain a skin stretched over an enclosed space typically, or higher one of the ends of your hollow vessel. Drums with two heads covering both ends of any cylindrical shell frequently have a small gap somewhat halfway between the two heads; the shell forms a resonating chamber for the producing sound. Exceptions include the African slit drum, also called a log drum as it is manufactured out of a hollowed-out tree trunk, and the Caribbean material drum, made from a steel barrel. Drums with two mind can have a couple of cables also, called snares, presented across the bottom level head, top mind, or both relative heads, the name snare drum hence.[1]
On modern band and orchestral drums, the drumhead is located over the opening of the drum, which in turn is placed onto the shell by way of a "counterhoop" (or "rim"), which is then organised through lots of tuning screws called "tension rods" that screw into lugs put evenly throughout the circumference. The head's anxiety can be changed by loosening or tightening up the rods. Many such drums have six to ten tension rods. The sound of a drum depends on many variables--including form, shell size and thickness, shell materials, counterhoop materials, drumhead material, drumhead anxiety, drum position, location, and attractive angle and speed.[1]
Towards the invention of tension rods preceding, drum skins were fastened and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. Today these procedures are almost never used, though look on regimental marching strap snare drums sometimes.[1] The head of an talking drum, for example, can be temporarily tightened by squeezing the ropes that connect the top and bottom heads. Similarly, the tabla is tuned by hammering a disc held in place round the drum by ropes stretching from the very best to bottom head. Orchestral timpani can be tuned to precise pitches by utilizing a foot pedal quickly.Sound of any drum[edit]Several North american Indian-style drums on the market at the National Museum of the North american Indian.Several factors determine the audio a drum produces, like the type, construction and shape of the drum shell, the type of drum heads it offers, and the tension of the drumheads. Different drum sounds have different uses in music. Take, for example, the modern Tom-tom drum. A jazz drummer may want drums that are high pitched, resonant and peaceful whereas a rock and roll drummer may favor drums that are loud, dry and low-pitched. Since these drummers want different sounds, their drums in different ways are made just a little.The drum mind gets the most effect about how a drum may seem. Each kind of drum mind serves its musical purpose and has its unique sound. Double-ply drumheads dampen high rate of recurrence harmonics because they are heavier and they are suited to heavy using.[3] Drum minds with a white, textured covering with them muffle the overtones of the drum head slightly, producing a less diverse pitch. Drum minds with central metallic or dark-colored dots tend to muffle the overtones even more. And drum minds with perimeter sound rings usually eliminate overtones (Howie 2005). Some jazz drummers stay away from thick drum minds, preferring one ply drum heads or drum mind with no muffling
The second biggest factor that influences drum sound is head anxiety resistant to the shell. When the hoop is placed around the drum shell and head and tightened down with tension rods, the strain of the head can be fine-tuned. When the strain is increased, the amplitude of the sound is reduced and the rate of recurrence is increased, making the pitch higher and the quantity lower.
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