The drum is a member of the percussion group of musical equipment. In the Hornbostel-Sachs classification system, this is a membranophone.[1] Drums contain at least one membrane, called a drumhead or drum skin area, that is extended over a shell and struck, either straight with the player's hands, or with a drum keep, to produce sound. There's a resonance at once the underside of the drum usually, tuned to a slightly lower pitch than the very best drumhead typically. Other techniques have been used to cause drums to make sound, like the thumb roll. Drums are the world's oldest & most ubiquitous musical instruments, and the basic design has remained nearly unchanged for thousands of years.[1]Drums may independently be performed, with the player using a solo drum, and some drums including the djembe are almost always played in this way. Others are played in a couple of several normally, all played by the main one player, such as bongo timpani and drums. A variety of drums with cymbals form the essential modern drum package jointly.
Drums are enjoyed by striking with the side usually, or with one or two sticks. In lots of traditional civilizations, drums have a symbolic function and are used in religious ceremonies. Drums are used in music therapy often, especially hand drums, because of their tactile character and easy use by a wide variety of people.[2]In popular jazz and music, "drums" usually refers to a drum set or a set of drums (with some cymbals), and "drummer" to the person who plays them.Drums obtained divine position in places such as Burundi even, where the karyenda was symbolic of the recharged ability of the king.Construction[edit]Drum carried by John Unger, Company B, 40th Regiment New York Veteran Volunteer Infantry Mozart Regiment, 20 december, 1863The shell almost invariably has a round starting over which the drumhead is stretched, but the shape of the remainder of the shell ranges widely. In the western musical traditions, the most typical shape is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other styles include a frame design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet formed (djembe), and signed up with truncated cones (conversing drum).Drums with cylindrical shells can be open at one end (as is the situation with timbales), or can have two drum minds. Single-headed drums contain a epidermis extended over an enclosed space typically, or higher one of the ends of any hollow vessel. Drums with two minds covering both ends of the cylindrical shell often have a small gap somewhat halfway between the two mind; the shell varieties a resonating chamber for the producing sound. Exceptions include the African slit drum, also called a log drum as it is made from a hollowed-out tree trunk, and the Caribbean steel drum, made from a steel barrel. Drums with two mind can have a set of cables also, called snares, organised across the bottom level head, top mind, or both heads, hence the name snare drum.[1]
Rotary Drum Terms amp; Definitions
On modern band and orchestral drums, the drumhead is placed over the starting of the drum, which is performed onto the shell by the "counterhoop" (or "rim"), which is then held through lots of tuning screws called "tension rods" that screw into lugs put evenly around the circumference. The head's anxiety can be tweaked by loosening or tightening the rods. Many such drums have six to ten anxiety rods. The sound of the drum depends on many variables--including shape, shell size and thickness, shell materials, counterhoop material, drumhead materials, drumhead tension, drum position, location, and impressive position and speed.[1]
Description Ludwig Super Classic vintage drum kit.jpg
To the technology of stress rods preceding, drum skins were fastened and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. Today these procedures are rarely used, though sometimes appear on regimental marching strap snare drums.[1] The head of an talking drum, for example, can be temporarily tightened by squeezing the ropes that connect the bottom and top heads. Similarly, the tabla is tuned by hammering a disc held in place about the drum by ropes stretching from the most notable to bottom head. Orchestral timpani can be tuned to precise pitches by by using a foot pedal quickly.Sound of an drum[edit]Several American Indian-style drums for sale at the National Museum of the American Indian.Several factors determine the audio a drum produces, including the type, construction and form of the drum shell, the sort of drum heads they have, and the strain of the drumheads. Different drum sounds have different uses in music. Take, for example, the modern Tom-tom drum. A jazz drummer might want drums that are high pitched, resonant and peaceful whereas a rock drummer may prefer drums that are noisy, low-pitched and dry. Since these drummers want different sounds, their drums are constructed a little differently.The drum brain has the most effect about how a drum noises. Each type of drum mind serves its musical purpose and has its unique sound. Double-ply drumheads dampen high frequency harmonics because they're heavier and they are suited to heavy using.[3] Drum mind with a white, textured finish in it muffle the overtones of the drum brain slightly, producing a less diverse pitch. Drum heads with central silver or black dots tend to muffle the overtones even more. And drum mind with perimeter sound rings typically eliminate overtones (Howie 2005). Some jazz drummers stay away from thick drum mind, preferring single ply drum heads or drum minds without muffling
Drums Stock Photos Image: 32638593
The second biggest factor that influences drum audio is head anxiety resistant to the shell. When the hoop is positioned around the drum head and shell and tightened down with tension rods, the strain of the head can be altered. When the tension is increased, the amplitude of the sound is reduced and the rate of recurrence is increased, making the pitch higher and the quantity lower.
The drum is a member of the percussion group of musical equipment. In the Hornbostel-Sachs classification system, this is a membranophone.[1] Drums contain at least one membrane, called a drumhead or drum skin area, that is extended over a shell and struck, either straight with the player's hands, or with a drum keep, to produce sound. There's a resonance at once the underside of the drum usually, tuned to a slightly lower pitch than the very best drumhead typically. Other techniques have been used to cause drums to make sound, like the thumb roll. Drums are the world's oldest & most ubiquitous musical instruments, and the basic design has remained nearly unchanged for thousands of years.[1]Drums may independently be performed, with the player using a solo drum, and some drums including the djembe are almost always played in this way. Others are played in a couple of several normally, all played by the main one player, such as bongo timpani and drums. A variety of drums with cymbals form the essential modern drum package jointly.
Drums are enjoyed by striking with the side usually, or with one or two sticks. In lots of traditional civilizations, drums have a symbolic function and are used in religious ceremonies. Drums are used in music therapy often, especially hand drums, because of their tactile character and easy use by a wide variety of people.[2]In popular jazz and music, "drums" usually refers to a drum set or a set of drums (with some cymbals), and "drummer" to the person who plays them.Drums obtained divine position in places such as Burundi even, where the karyenda was symbolic of the recharged ability of the king.Construction[edit]Drum carried by John Unger, Company B, 40th Regiment New York Veteran Volunteer Infantry Mozart Regiment, 20 december, 1863The shell almost invariably has a round starting over which the drumhead is stretched, but the shape of the remainder of the shell ranges widely. In the western musical traditions, the most typical shape is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other styles include a frame design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet formed (djembe), and signed up with truncated cones (conversing drum).Drums with cylindrical shells can be open at one end (as is the situation with timbales), or can have two drum minds. Single-headed drums contain a epidermis extended over an enclosed space typically, or higher one of the ends of any hollow vessel. Drums with two minds covering both ends of the cylindrical shell often have a small gap somewhat halfway between the two mind; the shell varieties a resonating chamber for the producing sound. Exceptions include the African slit drum, also called a log drum as it is made from a hollowed-out tree trunk, and the Caribbean steel drum, made from a steel barrel. Drums with two mind can have a set of cables also, called snares, organised across the bottom level head, top mind, or both heads, hence the name snare drum.[1]
On modern band and orchestral drums, the drumhead is placed over the starting of the drum, which is performed onto the shell by the "counterhoop" (or "rim"), which is then held through lots of tuning screws called "tension rods" that screw into lugs put evenly around the circumference. The head's anxiety can be tweaked by loosening or tightening the rods. Many such drums have six to ten anxiety rods. The sound of the drum depends on many variables--including shape, shell size and thickness, shell materials, counterhoop material, drumhead materials, drumhead tension, drum position, location, and impressive position and speed.[1]
To the technology of stress rods preceding, drum skins were fastened and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. Today these procedures are rarely used, though sometimes appear on regimental marching strap snare drums.[1] The head of an talking drum, for example, can be temporarily tightened by squeezing the ropes that connect the bottom and top heads. Similarly, the tabla is tuned by hammering a disc held in place about the drum by ropes stretching from the most notable to bottom head. Orchestral timpani can be tuned to precise pitches by by using a foot pedal quickly.Sound of an drum[edit]Several American Indian-style drums for sale at the National Museum of the American Indian.Several factors determine the audio a drum produces, including the type, construction and form of the drum shell, the sort of drum heads they have, and the strain of the drumheads. Different drum sounds have different uses in music. Take, for example, the modern Tom-tom drum. A jazz drummer might want drums that are high pitched, resonant and peaceful whereas a rock drummer may prefer drums that are noisy, low-pitched and dry. Since these drummers want different sounds, their drums are constructed a little differently.The drum brain has the most effect about how a drum noises. Each type of drum mind serves its musical purpose and has its unique sound. Double-ply drumheads dampen high frequency harmonics because they're heavier and they are suited to heavy using.[3] Drum mind with a white, textured finish in it muffle the overtones of the drum brain slightly, producing a less diverse pitch. Drum heads with central silver or black dots tend to muffle the overtones even more. And drum mind with perimeter sound rings typically eliminate overtones (Howie 2005). Some jazz drummers stay away from thick drum mind, preferring single ply drum heads or drum minds without muffling
The second biggest factor that influences drum audio is head anxiety resistant to the shell. When the hoop is positioned around the drum head and shell and tightened down with tension rods, the strain of the head can be altered. When the tension is increased, the amplitude of the sound is reduced and the rate of recurrence is increased, making the pitch higher and the quantity lower.
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