The drum is a known member of the percussion group of musical equipment. Inside the Hornbostel-Sachs classification system, this is a membranophone.[1] Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched on the shell and struck, either straight with the player's hands, or with a drum keep, to produce audio. There is a resonance head on the underside of the drum usually, typically tuned to a just a little lower pitch than the most notable drumhead. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical devices, and the basic design has remained unchanged for thousands of years virtually.[1]Drums may be played out singularly, with the gamer using a solitary drum, and some drums including the djembe are almost always played in this way. Others are played in a couple of several normally, all played by the main one player, such as bongo drums and timpani. A variety of drums with cymbals form the essential modern drum set collectively.
DRUM BUM: DRUMS: DRUM SETS: Drums and Drum Sets
Drums are usually performed by stunning with the side, or with one or two sticks. In lots of traditional civilizations, drums have a symbolic function and are being used in religious ceremonies. Drums are being used in music therapy often, hand drums especially, for their tactile nature and easy use by a wide variety of people.[2]In popular music and jazz, "drums" usually identifies a drum package or a set of drums (with some cymbals), and "drummer" to the person who plays them.Drums attained even divine position in places such as Burundi, where in fact the karyenda was symbolic of the power of the ruler.Construction[edit]Drum carried by John Unger, Company B, 40th Regiment NY Veteran Volunteer Infantry Mozart Regiment, 20 december, 1863The shell almost has a circular opening over that your drumhead is stretched invariably, but the condition of the rest of the shell can vary widely. Inside the western musical custom, the most standard form is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other shapes include a body design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet formed (djembe), and became a member of truncated cones (speaking drum).Drums with cylindrical shells can be open at one end (as is the truth with timbales), or can have two drum minds. Single-headed drums contain a skin area extended over an enclosed space typically, or higher one of the ends of the hollow vessel. Drums with two heads covering both ends of any cylindrical shell frequently have a small hole somewhat halfway between your two mind; the shell varieties a resonating chamber for the producing sound. Exceptions include the African slit drum, also known as a log drum as it is made from a hollowed-out tree trunk, and the Caribbean metallic drum, made from a material barrel. Drums with two minds can likewise have a set of cables, called snares, placed across the lower part head, top head, or both heads, the name snare drum hence.[1]
drum set clip art
On modern band and orchestral drums, the drumhead is positioned over the starting of the drum, which is held onto the shell by the "counterhoop" (or "rim"), which is then held by means of a number of tuning screws called "tension rods" that screw into lugs put evenly round the circumference. The head's anxiety can be fine-tuned by loosening or tightening the rods. Many such drums have six to ten tension rods. The sound of your drum is determined by many variables--including condition, shell thickness and size, shell materials, counterhoop material, drumhead materials, drumhead stress, drum position, location, and dazzling velocity and viewpoint.[1]
Drummerworld: Phil Collins
Before the invention of tension rods, drum skins were fastened and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. Today these methods are seldom used, though sometimes seem on regimental marching strap snare drums.[1] The top of a talking drum, for example, can be temporarily tightened by squeezing the ropes that hook up the bottom and top heads. Similarly, the tabla is tuned by hammering a disc held in place surrounding the drum by ropes stretching from the very best to bottom head. Orchestral timpani can be quickly tuned to precise pitches by by using a foot pedal.Sound of any drum[edit]Several American Indian-style drums for sale at the National Museum of the American Indian.Several factors determine the sound a drum produces, like the type, shape and construction of the drum shell, the sort of drum heads it offers, and the strain of the drumheads. Different drum tones have different uses in music. Take, for example, the modern Tom-tom drum. A jazz drummer might want drums that are high pitched, resonant and calm whereas a rock and roll drummer might choose drums that are loud, low-pitched and dry. Since these drummers want different sounds, their drums in a different way are constructed just a little.The drum brain gets the most effect about how a drum sounds. Each kind of drum brain serves its musical purpose and has its own unique audio. Double-ply drumheads dampen high regularity harmonics because they're heavier and they are suitable for heavy learning.[3] Drum minds with a white, textured finish with them muffle the overtones of the drum mind slightly, creating a less diverse pitch. Drum minds with central metallic or dark-colored dots tend to muffle the overtones even more. And drum minds with perimeter sound rings typically eliminate overtones (Howie 2005). Some jazz drummers stay away from thick drum mind, preferring sole ply drum minds or drum minds with no muffling
Neil Peart: Master Class Drum! Magazine October 2012 courtesy of
The second biggest factor that affects drum sound is head pressure up against the shell. When the hoop is located around the drum shell and head and tightened down with tension rods, the tension of the top can be tweaked. When the strain is increased, the amplitude of the sound is reduced and the rate of recurrence is increased, making the pitch higher and the quantity lower.
The drum is a known member of the percussion group of musical equipment. Inside the Hornbostel-Sachs classification system, this is a membranophone.[1] Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched on the shell and struck, either straight with the player's hands, or with a drum keep, to produce audio. There is a resonance head on the underside of the drum usually, typically tuned to a just a little lower pitch than the most notable drumhead. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical devices, and the basic design has remained unchanged for thousands of years virtually.[1]Drums may be played out singularly, with the gamer using a solitary drum, and some drums including the djembe are almost always played in this way. Others are played in a couple of several normally, all played by the main one player, such as bongo drums and timpani. A variety of drums with cymbals form the essential modern drum set collectively.
Drums are usually performed by stunning with the side, or with one or two sticks. In lots of traditional civilizations, drums have a symbolic function and are being used in religious ceremonies. Drums are being used in music therapy often, hand drums especially, for their tactile nature and easy use by a wide variety of people.[2]In popular music and jazz, "drums" usually identifies a drum package or a set of drums (with some cymbals), and "drummer" to the person who plays them.Drums attained even divine position in places such as Burundi, where in fact the karyenda was symbolic of the power of the ruler.Construction[edit]Drum carried by John Unger, Company B, 40th Regiment NY Veteran Volunteer Infantry Mozart Regiment, 20 december, 1863The shell almost has a circular opening over that your drumhead is stretched invariably, but the condition of the rest of the shell can vary widely. Inside the western musical custom, the most standard form is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other shapes include a body design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet formed (djembe), and became a member of truncated cones (speaking drum).Drums with cylindrical shells can be open at one end (as is the truth with timbales), or can have two drum minds. Single-headed drums contain a skin area extended over an enclosed space typically, or higher one of the ends of the hollow vessel. Drums with two heads covering both ends of any cylindrical shell frequently have a small hole somewhat halfway between your two mind; the shell varieties a resonating chamber for the producing sound. Exceptions include the African slit drum, also known as a log drum as it is made from a hollowed-out tree trunk, and the Caribbean metallic drum, made from a material barrel. Drums with two minds can likewise have a set of cables, called snares, placed across the lower part head, top head, or both heads, the name snare drum hence.[1]
On modern band and orchestral drums, the drumhead is positioned over the starting of the drum, which is held onto the shell by the "counterhoop" (or "rim"), which is then held by means of a number of tuning screws called "tension rods" that screw into lugs put evenly round the circumference. The head's anxiety can be fine-tuned by loosening or tightening the rods. Many such drums have six to ten tension rods. The sound of your drum is determined by many variables--including condition, shell thickness and size, shell materials, counterhoop material, drumhead materials, drumhead stress, drum position, location, and dazzling velocity and viewpoint.[1]
Before the invention of tension rods, drum skins were fastened and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. Today these methods are seldom used, though sometimes seem on regimental marching strap snare drums.[1] The top of a talking drum, for example, can be temporarily tightened by squeezing the ropes that hook up the bottom and top heads. Similarly, the tabla is tuned by hammering a disc held in place surrounding the drum by ropes stretching from the very best to bottom head. Orchestral timpani can be quickly tuned to precise pitches by by using a foot pedal.Sound of any drum[edit]Several American Indian-style drums for sale at the National Museum of the American Indian.Several factors determine the sound a drum produces, like the type, shape and construction of the drum shell, the sort of drum heads it offers, and the strain of the drumheads. Different drum tones have different uses in music. Take, for example, the modern Tom-tom drum. A jazz drummer might want drums that are high pitched, resonant and calm whereas a rock and roll drummer might choose drums that are loud, low-pitched and dry. Since these drummers want different sounds, their drums in a different way are constructed just a little.The drum brain gets the most effect about how a drum sounds. Each kind of drum brain serves its musical purpose and has its own unique audio. Double-ply drumheads dampen high regularity harmonics because they're heavier and they are suitable for heavy learning.[3] Drum minds with a white, textured finish with them muffle the overtones of the drum mind slightly, creating a less diverse pitch. Drum minds with central metallic or dark-colored dots tend to muffle the overtones even more. And drum minds with perimeter sound rings typically eliminate overtones (Howie 2005). Some jazz drummers stay away from thick drum mind, preferring sole ply drum minds or drum minds with no muffling
The second biggest factor that affects drum sound is head pressure up against the shell. When the hoop is located around the drum shell and head and tightened down with tension rods, the tension of the top can be tweaked. When the strain is increased, the amplitude of the sound is reduced and the rate of recurrence is increased, making the pitch higher and the quantity lower.
{ 0 comments... Views All / Send Comment! }
Post a Comment