The drum is an associate of the percussion band of musical instruments. Inside the Hornbostel-Sachs classification system, it is a membranophone.[1] Drums contain at least one membrane, called a drum or drumhead skin area, that is stretched over a shell and struck, either straight with the player's hands, or with a drum stay, to produce sound. There is generally a resonance at once the underside of the drum, tuned to a somewhat lower pitch than the most notable drumhead typically. Other techniques have been used to cause drums to make sound, including the thumb roll. Drums will be the world's oldest and most ubiquitous musical equipment, and the basic design has remained virtually unchanged for thousands of years.[1]Drums may independently be performed, with the player using a solitary drum, and some drums like the djembe are almost always played in this way. Others are played in a set of several normally, all played by the main one player, such as bongo timpani and drums. A number of different drums as well as cymbals form the essential modern drum kit.
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Drums are played by dazzling with the hands usually, or with a couple of sticks. In many traditional civilizations, drums have a symbolic function and are used in religious ceremonies. Drums are often used in music therapy, especially hand drums, because of their tactile nature and easy use by a wide variety of people.[2]In popular music and jazz, "drums" usually refers to a drum system or a couple of drums (with some cymbals), and "drummer" to the individual who plays them.Drums received even divine position in places such as Burundi, where in fact the karyenda was a symbol of the power of the ruler.Construction[edit]Drum transported by John Unger, Company B, 40th Regiment New York Veteran Volunteer Infantry Mozart Regiment, 20 december, 1863The shell almost invariably has a circular opening over which the drumhead is extended, but the shape of the remainder of the shell can vary widely. In the western musical custom, the most normal condition is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other shapes include a frame design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet formed (djembe), and joined truncated cones (talking drum).Drums with cylindrical shells can most probably at one end (as is the situation with timbales), or can have two drum mind. Single-headed drums typically consist of a skin extended over an enclosed space, or higher one of the ends of any hollow vessel. Drums with two mind covering both ends of your cylindrical shell often have a small hole somewhat halfway between the two mind; the shell forms a resonating chamber for the resulting sound. Exceptions are the African slit drum, also known as a log drum as it is manufactured out of a hollowed-out tree trunk, and the Caribbean metal drum, created from a material barrel. Drums with two minds can have a couple of wires also, called snares, presented across the bottom head, top mind, or both heads, the name snare drum hence.[1]
On modern strap and orchestral drums, the drumhead is put over the beginning of the drum, which in turn is held onto the shell with a "counterhoop" (or "rim"), which is then performed through a number of tuning screws called "tension rods" that screw into lugs placed evenly throughout the circumference. The head's anxiety can be tweaked by loosening or tightening up the rods. Many such drums have six to ten tension rods. The sound of a drum depends on many variables--including shape, shell size and thickness, shell materials, counterhoop material, drumhead materials, drumhead tension, drum position, location, and striking speed and position.[1]
For the invention of pressure rods prior, drum skins were attached and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. Today these procedures are seldom used, though sometimes look on regimental marching band snare drums.[1] The head of the talking drum, for example, can be temporarily tightened by squeezing the ropes that hook up the top and bottom heads. Similarly, the tabla is tuned by hammering a disc held set up throughout the drum by ropes stretching from the top to bottom head. Orchestral timpani can be quickly tuned to precise pitches by using a foot pedal.Sound of any drum[edit]Several North american Indian-style drums for sale at the National Museum of the North american Indian.Several factors determine the audio a drum produces, including the type, construction and shape of the drum shell, the kind of drum heads they have, and the tension of these drumheads. Different drum does sound have different uses in music. Take, for example, the present day Tom-tom drum. A jazz drummer might want drums that are high pitched, resonant and silent whereas a rock drummer might like drums that are loud, dry and low-pitched. Since these drummers want different sounds, their drums in another way are constructed a little.The drum head has the most effect how a drum noises. Each kind of drum mind serves its musical purpose and has its own unique audio. Double-ply drumheads dampen high occurrence harmonics because they're heavier and they are suitable for heavy taking part in.[3] Drum mind with a white, textured coating on them muffle the overtones of the drum mind slightly, creating a less diverse pitch. Drum heads with central gold or dark dots have a tendency to muffle the overtones even more. And drum mind with perimeter audio rings typically eliminate overtones (Howie 2005). Some jazz drummers stay away from thick drum heads, preferring single ply drum heads or drum mind with no muffling
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The second biggest factor that impacts drum audio is head stress contrary to the shell. When the hoop is put around the drum shell and head and tightened down with tension rods, the strain of the head can be adjusted. When the tension is increased, the amplitude of the audio is reduced and the rate of recurrence is increased, making the pitch higher and the volume lower.
The drum is an associate of the percussion band of musical instruments. Inside the Hornbostel-Sachs classification system, it is a membranophone.[1] Drums contain at least one membrane, called a drum or drumhead skin area, that is stretched over a shell and struck, either straight with the player's hands, or with a drum stay, to produce sound. There is generally a resonance at once the underside of the drum, tuned to a somewhat lower pitch than the most notable drumhead typically. Other techniques have been used to cause drums to make sound, including the thumb roll. Drums will be the world's oldest and most ubiquitous musical equipment, and the basic design has remained virtually unchanged for thousands of years.[1]Drums may independently be performed, with the player using a solitary drum, and some drums like the djembe are almost always played in this way. Others are played in a set of several normally, all played by the main one player, such as bongo timpani and drums. A number of different drums as well as cymbals form the essential modern drum kit.
Drums are played by dazzling with the hands usually, or with a couple of sticks. In many traditional civilizations, drums have a symbolic function and are used in religious ceremonies. Drums are often used in music therapy, especially hand drums, because of their tactile nature and easy use by a wide variety of people.[2]In popular music and jazz, "drums" usually refers to a drum system or a couple of drums (with some cymbals), and "drummer" to the individual who plays them.Drums received even divine position in places such as Burundi, where in fact the karyenda was a symbol of the power of the ruler.Construction[edit]Drum transported by John Unger, Company B, 40th Regiment New York Veteran Volunteer Infantry Mozart Regiment, 20 december, 1863The shell almost invariably has a circular opening over which the drumhead is extended, but the shape of the remainder of the shell can vary widely. In the western musical custom, the most normal condition is a cylinder, although timpani, for example, use bowl-shaped shells.[1] Other shapes include a frame design (tar, Bodhr?n), truncated cones (bongo drums, Ashiko), goblet formed (djembe), and joined truncated cones (talking drum).Drums with cylindrical shells can most probably at one end (as is the situation with timbales), or can have two drum mind. Single-headed drums typically consist of a skin extended over an enclosed space, or higher one of the ends of any hollow vessel. Drums with two mind covering both ends of your cylindrical shell often have a small hole somewhat halfway between the two mind; the shell forms a resonating chamber for the resulting sound. Exceptions are the African slit drum, also known as a log drum as it is manufactured out of a hollowed-out tree trunk, and the Caribbean metal drum, created from a material barrel. Drums with two minds can have a couple of wires also, called snares, presented across the bottom head, top mind, or both heads, the name snare drum hence.[1]
On modern strap and orchestral drums, the drumhead is put over the beginning of the drum, which in turn is held onto the shell with a "counterhoop" (or "rim"), which is then performed through a number of tuning screws called "tension rods" that screw into lugs placed evenly throughout the circumference. The head's anxiety can be tweaked by loosening or tightening up the rods. Many such drums have six to ten tension rods. The sound of a drum depends on many variables--including shape, shell size and thickness, shell materials, counterhoop material, drumhead materials, drumhead tension, drum position, location, and striking speed and position.[1]
For the invention of pressure rods prior, drum skins were attached and tuned by rope systems--as on the Djembe--or pegs and ropes such as on Ewe Drums. Today these procedures are seldom used, though sometimes look on regimental marching band snare drums.[1] The head of the talking drum, for example, can be temporarily tightened by squeezing the ropes that hook up the top and bottom heads. Similarly, the tabla is tuned by hammering a disc held set up throughout the drum by ropes stretching from the top to bottom head. Orchestral timpani can be quickly tuned to precise pitches by using a foot pedal.Sound of any drum[edit]Several North american Indian-style drums for sale at the National Museum of the North american Indian.Several factors determine the audio a drum produces, including the type, construction and shape of the drum shell, the kind of drum heads they have, and the tension of these drumheads. Different drum does sound have different uses in music. Take, for example, the present day Tom-tom drum. A jazz drummer might want drums that are high pitched, resonant and silent whereas a rock drummer might like drums that are loud, dry and low-pitched. Since these drummers want different sounds, their drums in another way are constructed a little.The drum head has the most effect how a drum noises. Each kind of drum mind serves its musical purpose and has its own unique audio. Double-ply drumheads dampen high occurrence harmonics because they're heavier and they are suitable for heavy taking part in.[3] Drum mind with a white, textured coating on them muffle the overtones of the drum mind slightly, creating a less diverse pitch. Drum heads with central gold or dark dots have a tendency to muffle the overtones even more. And drum mind with perimeter audio rings typically eliminate overtones (Howie 2005). Some jazz drummers stay away from thick drum heads, preferring single ply drum heads or drum mind with no muffling
The second biggest factor that impacts drum audio is head stress contrary to the shell. When the hoop is put around the drum shell and head and tightened down with tension rods, the strain of the head can be adjusted. When the tension is increased, the amplitude of the audio is reduced and the rate of recurrence is increased, making the pitch higher and the volume lower.
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